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Fauxliage

王朝百科·作者佚名  2010-09-25
窄屏简体版  字體: |||超大  

你是否记得Sixpence None the Richer,是否记得Leigh Nash?

Leigh Nash自从去年单飞后,发行了专辑《Blue on Blue》

今年又和Delerium合作组了个新团,团名就叫Fauxliage

Delerium也是个鼎鼎有名的团,发表过很多作品,光是专辑好像就有20来张

之前Leigh Nash也和Delerium合作过一次,不过作品是发表在Delerium的专辑里面

专辑名称:《Fauxliage》

艺 术 家:Fauxliage

音乐类型:New Age/Ambient

唱片公司:Nettwerk Records

发行日期:2007年8月14日

地区: 加拿大

语言: 英语

专辑介绍:

《Fauxliage》是一张由 Delerium 的Project加上主唱 Leigh Nash 组成的新团队 Fauxliage 倾情演绎的团队首张同名专辑,于2007年8月14日(Label: Nettwerk Records) 发行。风格集成Downtempo、Synth-pop、Ambient 。

演出人员:

【作曲】Bill Leeb, Roy Salmond (tracks: 1,2,3,6,7,8,9,10,11)

Leigh Nash (tracks: 1,2,3,4,6,7,9,10,11)

Leah Randi (tracks: 2)

Chris Elliot, Rhys Fulber (tracks: 4)

Rhys Fulber (tracks: 5)

【主唱】Leigh Nash

【键盘】Roy Salmond, Chris Elliot

【吉他】Roy Salmond, Emerson Swinford, Mark Jowett

【贝司】Leah Randi

【鼓司】Ashwin Sood

【计划】Chris Elliot

【编程】Mike Hiratzka, Andy Holt, Mark Jowett

【技师】Ted Jensen

【混音】Gabin, Pacha

【制作人】Bill Leeb, Rhys Fulber

Bill Leeb 和 Rhys Fulber 这两个才华横溢的家伙组织豪华的艺员阵容,打造了这张我们期待已久的Electronic大碟,鲜活美妙,精彩纷呈,强烈推介!个人最喜欢第7轨《Rafe》以及它的混音;第4轨《Let ItGo》的旋律的曲线好生柔美,似有精灵在面前舞动一般,婷婷袅袅,活色生香。

专辑曲目:

01. All The World

02. Someday The Wind

03. Draw My Life

04. Let It Go

05. Magic

06. Without You

07. Rafe

08. Vibing

09. All Alone

10. Rafe (Gabin Remix)

11. Rafe (Pacha Remix)

英文介绍:

Fauxliage is the first full length collaboration between former Sixpence None the Richer singer, Lei

gh Nash, and Bill Leeb and Rhys Fulber of Delerium and Front Line Assembly.

Nash's voice will be instantly recognizable to Delerium fans, having sung on their hit single "Innoc

ente (Falling In Love)" from the album Poem and contributed two songs, "Run For It" and "Orbit of Me

" to the band's subsequent Chimera.

A subtle slice of dream pop that's far removed from Delerium's darker roots, like their esoteric nam

e suggests, Fauxliage are a hidden gem, waiting to be discovered.

If there's one thing that Delerium has historically done very well, it has been picking out female v

ocalists and collaborators. A quick run through of their work shows the likes of Sarah McLachlan, Le

igh Nash, Kirsty Hawkshaw, Zoe Johnston, and

longtime contributor Kristy Thirsk. But this focus on female vocalists also brought about a stylisti

c shift in the band. Where some of their earlier work relied more on either gothic industrial or ins

trumental soundscapes with more through-composed

output, the vocals eventually led them down the path of doing music that was much more rooted in the

Enigma vein of pop.

Fauxliage is their new guise (and is added to their growing list of alter-egos), and finds them fina

lly "settling down" with just one vocalist and making a proper pop album. Leigh Nash has become a mo

re consistent collaborator for the duo, having

contributed to two prior Delerium albums. And this trio now becomes Fauxliage. Those familiar with D

elerium's recent output, and in particular Leigh's contributions, should know what to expect. They a

ren't breaking any new ground here, just rounding it

out into a full length.

Leigh Nash seems both an unlikely and perfect addition to the mix. Although a regular contributor in

the past, she was no more regular than several other vocalists that could have been picked. However

, she has a beautiful, frail, and otherworldly voice

that adds a much-needed texture to the songs. On their own, they could just be more of the light-ele

ctronica pop fare. But with her voice, they become something much more unique.

The album opens with "All The World", and starts an interesting thread for the kind of record it hel

ps to shape. It's lyrically pretty dark. Most of the songs are about strained or dying love. The ope

ning chorus sings "I'm having a hard time / I'm

making you do the hard time too / I'm stuck in a bad way / And I'm gonna make you pay for it." But i

n general the music is so much prettier and more delicate than the lyrics it surrounds that you migh

t not even notice the dark undertones until much

later.

The tempo for the record stays very mid-tempo, while dipping into a couple of slower tunes. "Draw My

Life" and the album closer "All Alone" are both down-tempo without becoming overly slow and sentime

ntal. Highlights include "All The World", "Without

You" and "Let It Go". Also in standard Delerium fashion, there are a couple of instrumental tracks i

ncluded. "Magic" and "Vibing" help fill out the offering into a full album. Musically, they stick to

the style of the other tracks and are a nice

break/addition.

But it's the overall quality of the album that impresses the most. Instead of collaborations forced

together through market pressures, this has a very natural and inspired vibe throughout. It's a real

album from start to finish, and sheds any thoughts

of experiment or trial run.

Some of Delerium's prime exposure in the past has come through club remixes of their tracks, fatteni

ng them up to a dance floor thump. We'll see if Fauxliage breaks into the same waters. If so, "Let I

t Go" could lend itself to some prime peak-time hand

raising. In the interim, the release is padded with a couple remixes of "Rafe." The Gabe remix is ve

ry Fatboy Slim-ish, and is a jaunty summer mix. The Pacha mix is a slower lounge-house mix, in the v

ein of Thievery Corporation, and neither bothers nor

excites.

Fauxliage seems much better than perhaps the idea would on paper. Leigh's voice has never sounded be

tter than it does here, and the Delerium guys show they're not at a loss for constructing nice elect

ronic-pop songs. It remains to be seen whether

Fauxliage is a one-off project or if the pairing has some legs. I'm sure record sales will play into

that decision, so a word to the masses is sufficient. ~

 
 
 
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