中文名称：黑爵士
英文名称：BlackAdder
发行时间：1985年
演员：罗温·艾金森（Rowan·Atkinson）憨豆as Prince Edmund
托尼·罗宾迅（Tony Robinson）as Baldrick
Hugh Laurie as Partridge (Blackadder II)Prince Ludwig(Blackadder II) Prince Regent(Blackadder III)
TIM McINNERNY as Lord Percy
MIRANDA RICHARDSON as Queen Elizabeth I
STEPHEN FRY as Lord Melchett
PATSY BYRNE as Nursie
Helen Atkinson-Wood
地区：英国
语言：英语
简介：
【类型】：喜剧，剧情
【影片长度】: 平均30分钟
【剧情介绍】：
The Black Adder (1983) 黑爵士
'The Foretelling' '预言'
'Born To Be King' '天生的国王'
'The Archbishop' '大主教'
'The Queen of Spain's Beard' '西班牙女王的胡子'
'Witchsmeller Pursuivant' '女巫搜寻者的随从'
'The Black Seal' '黑色封印'
Blackadder II(1985) 黑爵士II
'Bell' '婚礼的铃铛'
'Head' '头颅'
'Potato' '土豆'
'Money' '钱'
'Beer' '啤酒'
'Chains' '镣铐'
Blackadder III(1987) 黑爵士 III
'Dish & Dishonesty' '盘子&欺骗'
'Ink & Incapability' '墨水&无能'
'Nob & Nobility' '有钱人&高贵'
'Sense & Senility' '理性&老迈'
'Amy & Amiability' '艾米&友善'
'Duel & Duality' '决斗&二元性'
Blackadder: The Cavalier Years(1988) 黑爵士之骑士时代
Blackadder Goes Forth(1989) 黑爵士第四部
'Captain Cook' ' 上尉'
'Corporal Punishment' '体罚'
'Major Star' '明星'
'Private Plane' '私人飞机'
'General Hospital' '医院'
'Goodbyeee' '再见'
A Blackadder Christmas Carol(1989) 黑爵士之圣诞颂歌
Blackadder Back and Forth(1999) 黑爵士之穿梭时空
The first series was set in a medieval English court, with Edmund Blackadder as a hapless prince in waiting; subsequent series
travelled forwards in time to portray successive generations of Blackadders, in which Edmund became courtier in Elizabethan
England, then courtier during the Regency period, and finally Captain Blackadder in the trenches of World War I. With a regular core
cast, who constantly refined their performances as the writers honed their scripts, the series combined, with increasing success, a
sharpening satirical thrust with an escapist, schoolboyish sense of the absurd. The format served Atkinson extremely well in allowing
him to play out variations on a character-theme, balancing consistency with change. While all the incarnations of Edmund Blackadder
pitted the rational, frustrated, and much put-upon--though intellectually superior--individual against environments in which the insane, tyrannical, and psycopathic vied for dominance, the youthful, gawky Prince of the first series evolved through the wishful, self-
aggrandising courtier of the 1800s, to the older, moustachioed, world-weary soldier attempting merely to stay alive amid the mayhem
of war. While the Blackadder series undoubtedly took time to find its feet, the attention to detail in all matters, from script to opening
credits and period pastiche music, produced in the World War I series a highly successful blend of brilliantly conceived and executed
characterisations, a situation combining historical absurdity and tragedy, and a poignant narrative trajectory towards final disaster: in
the last episode, Blackadder and his entourage finally did go "over the top" into no man's land and to their deaths, as in one last trick
of time the trenches dissolved into the eerily silent fields that they are today. In his portrayal of the cynical yet basically decent
Captain Blackadder, Atkinson created a kind of English middle-class version of Hasek's Schweik, whose attempts to evade pointless
self-sacrifice turn him unwittingly into a "little-man" hero in a world of pathological generals and power brokers. Atkinson's own career
write-up describes Blackadder as a "situation tragedy", and though the comment may be meant humorously, the phrase neatly summarises the series' genre-transgressing qualities.
--Mark Hawkins-Dady
第一部背景是中世纪的英国宫廷,主角爱德蒙是个没希望继承王位的王子;后来的几部都是描述黑爵士的后代,爱德蒙成了伊丽莎白一世的朝臣.在第三部中的爱德蒙又成为摄政时代的朝臣,第四部中成为一战战壕中的黑爵士上尉. 演员阵容基本不变,而演技则在剧作者改写剧本的过程中日渐出色. 此系列将逃避现实的男学生式的可笑与尖锐的讽刺结合起来,使它越来越成功,这种形式对阿特金森非常适合,让他可以即保持人物的性格一贯性,又可以充分的表现他们的差异,使他在连贯性与差异性当中取得平衡.
所有时代的爱德蒙都是个理性,失落,而智力出众的牺牲品.在为统治和权利而疯狂残暴斗争的时代,笨拙的年轻王子进化成为1800年代有希望的朝臣,以及后来更成熟,有着小胡子的厌世的只想从战争的伤害中保存性命的士兵.黑爵士长期以来的摸索,从对细节的重视到所有的事情,从手稿到混音,绝妙的构思与完成,使得一战系列取得高度的成功.历史的可笑与悲剧在情景中再现,以刺激的描述曲折地导出最终的灾难.在最后一段情节, 黑爵士和他的随从'穿过'了无人区,并死在那里.于是前线变成了一片怪诞的安静,如同它现在的样子,把黑爵士上尉演绎为一个愤世嫉俗但基本正派的人,阿特金森从而创造了英国式中产版本的 Hasek, 因想逃避无意义的自我牺牲而在病态的将军和权利的掮客之中无意中成为小人物的英雄阿特金森的职业历程介绍说Blackadder是 '情景悲剧',尽管这个评价也许是幽默,这个词语依旧优美的诠释着本系列剧集对戏剧类型流派的超越.
本剧中的经典名句数不胜数, 实在并不亚于莎翁剧本.
而表演也相当出色.
http://www.geocities.com/TelevisionCity/8889/bladder.htm
以上是所有系列的对白,可让大家尽情回味.
举一例子。Blackadder II 'HEAD'
当爱德蒙不幸成为HIGH EXECUTIONER（死刑执行官，通常活不过一星期）时，他去见他的LEGAL TEAM（下属）
Eddie: Right, good morning, team. My name is Edmund Blackadder. I’m the new minister in charge of religious genocide. If you play straight with me, you’ll find me a considerable employer. But cross me and you’ll discover that under this playful boyish exterior beats the heart of a ruthless sadistic maniac. Now, my man, you are?
爱迪：早上好，同僚们。我的名字叫爱德蒙. 我是负责宗教屠杀的新长官。如果对我直截了当，你们会发现我是个不错的老板。但是跟我对着干，你们会发现这个顽皮孩子气的外表下，跳着一颗无情虐待狂疯子的心。好把，我的雇员，你们是？
Blackadder实在算不上正面角色，连勉强的好人资格也不具备。仗着有颗聪明的脑袋瓜，老在那儿算计，乾些损人利己，或者损人不利己的勾当，从而充实他的钱袋，实现向上爬的野心。讥刺挖苦、打击报复别人更是他的首本好戏。这样一个反角倒很合现代观众的口味，大家多少认同他在夹缝里求生存的苦衷，更欣赏他层出不穷的损话。
伊丽莎白一世当道他得使出吃奶的力气保护自己，免得一不留神脑袋也和遍地开花的众头颅做一堆去。摄政王时期家世中落，当了草包亲王的管家，虽然当着傻蛋的面毫不留情地嘲笑他也木知木觉，只是时不时要给他闯下的祸事收拾残局，偏偏草包有时候还要端起架子来奚落自己，想想自己的智力岂止高出十倍百倍，却卑躬屈膝伺候这么一个废物，大大地不爽。一次大战的战壕里，明明见解比将军都高超，早早预料到这场战事的悲惨结局，奈何使出浑身解数就是逃不出去，对上面下来的愚蠢指令还得一丝不苟地执行，简直郁闷到了极点。
观众看着Blackadder，不免联想到现时现地的经历，比如对混蛋上司的委曲求全，电视里草包政治家的白痴嘴脸，下次他拿那些人出气时自然笑得更响亮些。
能言善辩是Blackadder的突出特点。在《豆先生》里难开金口的Atkinson，到了这部剧集里简直讲个不停，好像要把豆先生没讲过的话都讲完。有次说他穷得叮当响： 我象一只教堂里的老鼠那么穷，这只老鼠刚收到一张巨额税单，而这一天他的老婆刚和另一只老鼠私奔了，并且卷走了他所有的奶酪。” 篡改Wordsworth的经典诗句：“I have erred and strayed like a lost ox... I have coveted my father''s adultery... I have not always honoured my neighbours ass. ” （这个太难翻，看个意思吧）
他骂起人来狠、准、不动声色，彬彬有礼又文绉绉地，比如：“你骑起马来还比不上另一匹马的马术，尊脑袋的尺寸能将一粒沙子映衬得硕大无比”。说他的部下：“根据我长期以来的经验，我部下的艺术才华好比一群关在布袋子里色盲的刺猬”。威胁Baldrick： “难道一定必须这样吗？我们珍贵的友谊真的要以我不得不将你切成碎条这种可悲的方式结束，然后告诉亲王殿下你戴着一定太沉太沉的帽子且一不小心撞上了锋利无比的铁丝网？”
据说Atkinson本人有轻微的口吃，所以摸索出自己特别一套念台词的方法，比如某些爆破音的着重化，结果收得奇效。一战系列中有个角色叫Bob，Blackadder每次叫他的名字都引人大笑，两个B的发音谁也模仿不来，倒成了他的特色。
《Blackadder》对于英语语言的巧妙使用使几乎所有其他的英国影剧望尘莫及。这样的例子数不胜数。
饰演白痴王子乔治的人就是现在当红美剧《豪斯医生》的主演 休-劳瑞（Hugh Laurie）
