品牌：Nathaniel Hawthorne
基本信息
·出版社：Penguin Classics
·页码：368 页码
·出版日：1981年
·ISBN：0140390057
·条码：9780140390056
·装帧：平装
·英语：英语
·丛书名：The Penguin American Library
内容简介
在线阅读本书
In the final years of the seventeenth century in a small New England town, the venerable Colonel Pyncheon decides to erect a ponderously oak-framed and spacious family mansion. It occupies the spot where Matthew Maule, `an obscure man', had lived in a log hut, until his execution for witchcraft. From the scaffold, Maule points his finger at the presiding Colonel and cries `God will give him blood to drink!' The fate of Colonel Pyncheon exerts a heavy influence on his descendants in
the crumbling mansion for the next century and a half.Hawthorne called his novel a `Romance', drawing on the Gothic tradition which embraced and exploited the thrills of the supernatural. Unlike The Scarlet Letter, with its unrelentingly dark view of human nature and guilt, Hawthorne sought to write `a more natural and healthy product of my mind', a story which would show guilt to be a trick of the imagination. The tension between fantasy and a new realism underpins the novel's descriptive virtuosity.--This text refers to thePaperbackedition.
编辑推荐
From School Library Journal
Grade 9 Up. Hawthorne's tale about the brooding hold of the past over the present is a complex one, twisting and turning its way back through many generations of a venerable New England family, one of whose members was accused of witchcraft in 17th century Salem. More than 200 years later, we meet the family in its decaying, gabled mansion, still haunted by the presence of dead ancestors: Hepzibah, an elderly gentlewoman fallen on had times; her ineffectual brother, Clifford; and young Phoebe, a country maiden who cheerfully takes it upon herself to care for her two doddering relations. There's also Holgrave, a free-spirited daguerreotypist, who makes a surprising transformation into conventional respectability at the story's end. These people seem to be symbols for Hawthorne's theme more than full-bodied characters in their own right. As such, it can only be difficult for today's young adults to identify with them, especially since they are so caught up in a past that is all but unknown to present day sensibilities. Talented Joan Allen, twice nominated for Academy Awards, reads the tale in a clear, luminous voice. Because she has chosen not to do voices, however, it is sometimes difficult to tell which character is speaking. Still, she is more than equal to the task of handling Hawthorne's stately prose in a presentation that will be a good curriculum support for students of Hawthorne or those seeking special insight into this work of fiction.?Carol Katz, Harrison Library, NY
Copyright 1997 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.
From AudioFile
An almost operatic plot told in language that has the precision of architecture makes this classic American tale difficult for many of today's impatient, plot-oriented readers. For this reason, the Naxos production is to be commended. Marinker's enunciation maintains clarity, as well as good momentum. Some ironic nuances escape him, and, at times, he reveals indecision about how much acting to inject into the performance. A case in point is the quavering, falsetto voicing of Aunt Hepzibah. The classical music between breaks is elegant though a couple of transitions are obtrusive and inept. S.B.S. (c)AudioFile, Portland, Maine--This text refers to theAudio Cassetteedition.
Review
"A large and generous production, pervaded with that vague hum, that indefinable echo, of the whole multitudinous life of man, which is the real sign of a great work of fiction."
?Henry James--This text refers to thePaperbackedition.
点此购买报价￥96.10
