品牌：
基本信息
·出版社：Puffin Books
·页码：32 页码
·出版日：1996年
·ISBN：9780140544510
·条码：9780140544510
·版次：1996-03-01
·装帧：平装
·开本：16开 16开
内容简介
In this best-selling collaboration between author (and performer) Jon Scieszka and illustrator Lane Smith, with music by noted composer Kurt Hoffman, you will hear Alexander T. Wolf tell the story from his point of view. Side one features narration and music, while side two has music alone, so that you can read it out loud by yourself.--This text refers to an out of print or unavailable edition of this title.
媒体推荐
书评
Amazon.com
"There has obviously been some kind of mistake," writes Alexander T. Wolf from the pig penitentiary where he's doing time for his alleged crimes of 10 years ago. Here is the "real" story of the three little pigs whose houses are huffed and puffed to smithereens... from the wolf's perspective. This poor, much maligned wolf has gotten a bad rap. He just happened to be in the wrong place at the wrong time, with a sneezy cold, innocently trying to borrow a cup of sugar to make his granny a cake. Is it his fault those ham dinners--rather, pigs--build such flimsy homes? Sheesh.This 10th-anniversary edition of Jon Scieszka's New York Times Best Book of the Year,The True Story of the 3 Little Pigs!, includes a special, impassioned letter from prisoner A. Wolf himself and a snappy new jacket by Caldecott Honor artist Lane Smith, whose quirky perspectives still color the illustrations throughout. As withThe Stinky Cheese Man and Other Fairly Stupid Tales, the collaborators take a classic story and send it through the wisecracker machine, much to the glee of kids young and old. (Ages 4 to 8 or much, much older)--Emilie Coulter--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
"Designed with uncommon flair," said PW, this "gaily newfangled version of the classic tale" takes sides with the villain. "Imaginative watercolors eschew realism, further updating the tale." A Spanish-language reprint will be issued simultaneously ($4.99, -055758-X). Ages 3-8.
Copyright 1996 Reed Business Information, Inc.
From School Library Journal
Grade 1 Up--Victim for centuries of a bad press, Alexander ("You can call me Al") T. Wolf steps forward at last to give his side of the story. Trying to borrow a cup of sugar to make a cake for his dear old Granny, Al calls on his neighbors--and can he help it if two of them built such shoddy houses? A couple of sneezes, a couple of dead pigs amidst the wreckage and, well, it would be shame to let those ham dinners spoil, wouldn't it? And when the pig in the brick house makes a nasty comment about Granny, isn't it only natural to get a little steamed? It's those reporters from the Daily Pig that made Al out to be Big and Bad, that caused him to be arrested and sent to the (wait for it) Pig Pen. "I was framed," he concludes mournfully. Smith's dark tones and sometimes shadowy, indistinct shapes recall the distinctive illustrations he did for Merriam's Halloween ABC (Macmillan, 1987); the bespectacled wolf moves with a rather sinister bonelessness, and his juicy sneezes tear like thunderbolts through a dim, grainy world. It's the type of book that older kids (and adults) will find very funny.
-John Peters, New York Public Library
Copyright 1989 Reed Business Information, Inc.--This text refers to theHardcoveredition.
FromBooklist
Ages 6-9.Jon Scieszka'sThe True Story of the Three Little Pigs(1989) turned the favorite porkers' story upside-down by allowing the grossly misjudged wolf to tell his side of the story. Wiesner's latest is a post-modern fantasy for young readers that takes Scieszka's fragmentation a step further: it not only breaks apart and deliciously reinvents the pigs' tale, it invites readers to step beyond the boundaries of story and picture book altogether.The book begins predictably: the three pigs set out to seek their fortune, and when the first pig builds a house of straw, the wolf blows it down. Here's when the surprises start. The wolf blows the pig right out of the picture and out of the story itself. In the following frames, the story continues as expected: the wolf eats the pig and moves on to the other houses. But the pictures no longer match up. Frames show the bewildered wolf searching hungrily through the rubble as first one, then all the pigs escape the illustrations and caper out into open space with the loose pages of the wolf's tale swirling around them. After fashioning a paper airplane from a passing page, the emancipated pigs soar off on a sort of space flight through blank white spreads, ultimately discovering other picture-book "planets" along the way. Finally, the pigs wander through a near-city of illustrated pages, each suggesting its own story. Joined by the nursery rhyme Cat and Fiddle and a fairy-tale dragon, the pigs find and reassemble the pages to their own story and reenter to find the wolf still at the door. In the end, the story breaks down altogether, as the wolf flees, the text breaks apart, letters spill into a waiting basket, and the animals settle down to a bowl of . . . alphabet soup instead of wolf stew.Wiesner uses shifting, overlapping artistic styles to help young readers envision the pigs' fantastical voyage. The story begins in a traditional, flat, almost old-fashioned illustrative style. But once the first pig leaps from the picture's frame, he becomes more shaded, bristly with texture, closer to a photographic image. As the pigs travel and enter each new story world, they take on the style of their surroundings--the candy-colored nursery rhyme, the almost comic-book fairy tale--until, in the end, they appear as they did at the beginning. Chatty dialogue balloons also help guide children through the story, providing most of the text once the characters leave the conventional story frames, and much of the humor ("Let's get out of here!" yells one pig as he leaps from a particularly saccharine nursery world). Despite all these clues, children may need help understanding what's happening, particularly with the subtle, open-ended conclusion. But with their early exposure to the Internet and multimedia images, many kids will probably be comfortable shifting between frames and will follow along with delight. Wiesner has created a funny, wildly imagined tale that encourages kids to leap beyond the familiar, to think critically about conventional stories and illustration, and perhaps to flex their imaginations and create wonderfully subversive versions of their own stories.Carolyn Phelan
Copyright © American Library Association. All rights reserved
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