专辑英文名: Great Composers - Brahms
专辑中文名: 伟大作曲家之勃拉姆斯
艺术家: Johannes Brahms
资源格式: MP3
版本: [Disc A]
发行时间: 1988年
地区: 美国
简介:
压缩码率:OBR 128 Kbps
专辑介绍:
勃拉姆斯(Johannes Brahms ,全名译为约翰奈斯·勃拉姆斯。1833.5.7 - 1897.4.3),德国作曲家。1833年5月7日出生于德国汉堡的一个职业乐师的家庭里。他童年生活十分贫困,7岁随父亲学钢琴,13岁便在酒店里为舞会弹伴奏,在剧院帮助父亲演奏。与此同时,为了多得报酬,他还写了不少沙龙音乐作品,包括多种舞曲、进行曲和管弦乐曲改编曲等。
个人简介
早年师从戈赛尔、马克逊(Eduard Marxsen)学习钢琴。一生中交游颇广,1853年在魏玛与Remenyi、约·阿希姆(Joseph Joachim)结交,并被介绍给舒曼夫妇,得到赏识与支持。
1862年到维也纳。在充分准备后才开始写交响曲,1876年完成C小调第1交响曲, 1877年完成D大调第2交响曲, 1883年完成F大调第3交响曲, 1885年完成E小调第4交响曲.
19世纪60年代,他定居维也纳,把当时欧洲的这个音乐中心作为他的第二故乡。1897年4月 3日逝世于维也纳。
人物简介
勃拉姆斯(Johannes Brahms,1833-1897),德国作曲家。人们把勃拉姆斯与巴赫、贝多芬并列为“三B”,尽管这种提法的意义不够确切,但它说明了勃拉姆斯在德国音乐中的地位。勃拉姆斯创作了除歌剧以外一切体裁的作品,在交响曲、室内乐、协奏曲和艺术歌曲方面留下了众多杰作;他沿用了贝多芬式的音乐形式进行写作,同时作品也带有浪漫主义风韵;常用无标题音乐形式,提倡音乐中的形式美,反对内容至上的原则,避免标题音乐形式。勃拉姆斯作为莱比锡乐派的一员,曾与以李斯特和瓦格纳为代表的魏玛乐派展开激烈的学术之争。
Johannes Brahms (pronounced [joːˈhanəs ˈbʁaːms]) (7 May 1833 – 3 April 1897), was a German composer and pianist, one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms's popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs.
Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he gave the first performance of many of his own works; he also worked with the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim. Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed many of his works and left some of them unpublished.
Brahms was at once a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined method of composition for which Bach is famous, and also of development, a compositional ethos pioneered by Joseph Haydn, Wolfgang Amadeus Mozart and Beethoven. Brahms aimed to honour the "purity" of these venerable "German" structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as the progressive Arnold Schoenberg and the conservative Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers.