专辑中文名: The Pixies Collection
歌手: Pixies
资源格式: MP3
发行时间: 1988年
地区: 美国
语言: 英语
简介:
Pixies是80年代末期美国最有影响力的另类摇滚乐队之一，关于他们对后来Grunge音乐的影响，人们最常听到的评论就是‘...it's hard to imagine Nirvana without the Pixies’；不过作为4ad旗下的另一个传奇乐队，其音乐影响还包括8、90年代的Britpop和Indie rock。虽然Pixies的音乐生涯并不长（6年），但他们无疑是最具革新精神的乐队之一——粗粝咆哮的吉他、时断时续的节奏与和谐的男、女合声交织在一起，其中融合了朋克、Indie Rock、流行乐和Surf Rock，加上隐晦怪异、片断式的歌词，都是他们标志性的风格。但在当时他们却被主流媒体拒之门外，最终由于乐队领袖Black Francis与贝斯手/歌手Kim Deal的矛盾导致乐队在92年解体。之后Black Francis开始了他的Solo事业，而Kim Deal与Throwing Muses的Tanya Donelly等组成了后来的Breeders。
# 应要求发布，为了下载方便就放在一个帖子中，但不是全集，2002《Pixies》、2004《Live in Minneapolis》这两张暂无。
唱片目录：
Come on Pilgrim (EP)
01/01/1987
4ad Records
CBR 192
1 Caribou (3:14)
2 Vamos (2:53)
3 Isla de Encanta (1:41)
4 Ed Is Dead (2:30)
5 Holiday Song (2:14)
6 Nimrod's Son (2:17)
7 I've Been Tired (3:00)
8 Levitate Me (2:37)
Surfer Rosa
01/01/1988
4ad Records
CBR 256
1 Bone Machine (3:03)
2 Break My Body (2:05)
3 Something Against You (1:47)
4 Broken Face (1:30)
5 Gigantic (3:54)
6 River Euphrates (2:31)
7 Where Is My Mind? (3:53)
8 Cactus (2:16)
9 Tony's Theme (1:52)
10 Oh My Golly! (2:32)
11 Vamos (4:20)
12 I'm Amazed (1:42)
13 Brick Is Red (2:01)
14 Brick Is Red (2:00)
Doolittle
01/01/1989
4ad Records
CBR 256
1 Debaser (2:52)
2 Tame (1:55)
3 Wave of Mutilation (2:04)
4 I Bleed (2:34)
5 Here Comes Your Man (3:21)
6 Dead (2:21)
7 Monkey Gone to Heaven (2:56)
8 Mr. Grieves (2:05)
9 Crackity Jones (1:24)
10 la Love You (2:43)
11 No. 13 Baby (3:51)
12 There Goes My Gun (1:49)
13 Hey (3:31)
14 Silver (2:25)
15 Gouge Away (2:45)
Bossanova
08/01/1990
4ad Records
CBR 256
1 Cecilia Ann (2:05)
2 Rock Music (1:52)
3 Velouria (3:40)
4 Allison (1:17)
5 Is She Weird (3:01)
6 Ana (2:09)
7 All Over the World (5:27)
8 Dig for Fire (3:02)
9 Down to the Well (2:29)
10 Happening (4:19)
11 Blown Away (2:20)
12 Hang Wire (2:01)
13 Stormy Weather (3:26)
14 Havalina (2:33)
Trompe le Monde
10/08/1991
4ad Records
CBR 256
1 Trompe le Monde (1:46)
2 Planet of Sound (2:06)
3 Alec Eiffel (2:50)
4 Sad Punk (2:59)
5 Head On (2:13)
6 U-Mass (3:00)
7 Palace of the Brine (1:34)
8 Letter to Memphis (2:39)
9 Bird Dream of the Olympus Mons (2:48)
10 Space (I Believe In) (4:18)
11 Subbacultcha (2:09)
12 Distance Equals Rate Times Time (1:24)
13 Lovely Day (2:05)
14 Motorway to Roswell (4:43)
15 Navajo Know (2:19)
Rough Diamonds
01/01/1995
4ad Records
CBR 192
1 Hey (3:19)
2 Levitate Me (2:13)
3 Wild Honey Pie (1:46)
4 Caribou (3:12)
5 In Heaven (1:40)
6 Dead (1:27)
7 Tame (1:55)
8 There Goes My Gun (1:24)
9 Manta Ray (2:11)
10 Down to the Well (2:29)
11 Into the White (4:07)
12 Surf of Mutilation (2:20)
13 Monkey Gone to Heaven (2:57)
14 Allison (1:08)
15 Wave of Mutilation (1:58)
16 Ana (2:10)
17 Palace of the Brine (1:38)
18 Letter to Memphis (2:34)
19 Motorway to Roswell (3:30)
20 Subbacultcha (2:08)
21 Build High (1:41)
22 I Can't Forget (3:22)
23 Born in Chicago (2:12)
24 Velouria (1:19)
25 Hang on to Your Ego (3:17)
26 Is She Weird (2:49)
27 Gigantic (3:13)
28 River Euphrates (3:22)
29 Tame (2:08)
30 Down to the Well (2:09)
31 Rock-A-My-Soul (1:44)
Death to the Pixies 1987-1991
10/07/1997
4ad Records
CBR 256
Disc 1
1 Cecilia Ann (2:06)
2 Planet of Sound (2:06)
3 Tame (1:56)
4 Here Comes Your Man (3:21)
5 Debaser (2:51)
6 Wave of Mutilation (2:04)
7 Dig for Fire (3:02)
8 Caribou (3:14)
9 Holiday Song (2:14)
10 Nimrod's Son (2:17)
11 U-Mass (3:00)
12 Bone Machine (3:00)
13 Gigantic (3:13)
14 Where Is My Mind? (3:51)
15 Velouria (3:40)
16 Gouge Away (2:43)
17 Monkey Gone to Heaven (2:56)
Disc 2
18 Debaser (2:54)
19 Rock Music (1:51)
20 Broken Face (1:21)
21 Isla de Encanta (1:42)
22 Hang Wire (1:59)
23 Dead (2:30)
24 Into the White (3:30)
25 Monkey Gone to Heaven (2:58)
26 Gouge Away (2:53)
27 Here Comes Your Man (3:12)
28 Allison (1:15)
29 Hey (3:54)
30 Gigantic (3:26)
31 Crackity Jones (1:35)
32 Something Against You (1:46)
33 Tame (2:05)
34 Wave of Mutilation (3:05)
35 Where Is My Mind? (3:36)
36 Ed Is Dead (2:52)
37 Vamos (4:34)
38 Tony's Theme (2:27)
Complete B-Sides
03/05/2001
4ad Records
CBR 192
1 River Euphrates (3:23)
2 Vamos (Live) (3:28)
3 In Heaven (Lady in the Radiator Song) (1:46)
4 Manta Ray (2:39)
5 Weird at My School (1:59)
6 Dancing the Manta Ray (2:13)
7 Wave of Mutilation (UK Surf) (3:00)
8 Into the White (4:42)
9 Bailey's Walk (2:23)
10 Make Believe (1:54)
11 I've Been Waiting for You (2:45)
12 Thing (1:58)
13 Velvety Instrumental Version (2:04)
14 Winterlong (3:07)
15 Santo (2:16)
16 Theme from Narc (1:48)
17 Build High (1:42)
18 Evil Hearted You (2:37)
19 Letter to Memphis (Instrumental) (2:43)
Wave of Mutilation: Best of Pixies
05/04/2004
4ad Records
CBR 256
1 Bone Machine (3:03)
2 Nimrod's Son (2:16)
3 Holiday Song (2:15)
4 Caribou (3:14)
5 Broken Face (1:29)
6 Gigantic (3:13)
7 Vamos (4:18)
8 Hey (3:28)
9 Monkey Gone to Heaven (2:55)
10 Debaser (2:51)
11 Gouge Away (2:42)
12 Wave of Mutilation (2:03)
13 Here Comes Your Man (3:21)
14 Tame (1:56)
15 Where Is My Mind? (3:49)
16 Into the White (4:39)
17 Velouria (3:40)
18 Allison (1:17)
19 Dig for Fire (3:02)
20 U-Mass (3:00)
21 Alec (2:47)
22 Planet of Sound (2:06)
23 Winterlong (3:08)
Where Is My Mind?: A Tribute to the Pixies
06/08/1999
Glue Factory
CBR 192
1 Allison - Eve 6 (1:24)
2 Alec Eiffel - The Get Up Kids (3:01)
3 Velouria - Weezer (3:54)
4 Monkey Gone to Heaven - Far (5:04)
5 Trompe le Monde - Braid (2:10)
6 Wave of Mutilation - Superdrag (2:08)
7 Manta Ray - The Teen Heroes (3:54)
8 Tame - Local H (2:02)
9 Gigantic - Reel Big Fish (2:30)
10 Holiday Song - Siren Six! (2:55)
11 Where Is My Mind? - Nada Surf (4:18)
12 Gouge Away - The Promise Ring (3:00)
13 Here Comes Your Man - Samiam (3:14)
14 La, La, Love You - Weston (2:43)
15 Caribou - Sense Field (3:58)
# 专辑仅用于试听, 请购买正版支持你欣赏的音乐家 #
乐队介绍：
The Pixies were formed in Boston, MA, in 1986 by Charles Thompson and his roommate, Joey Santiago. Born in California, Thompson began playing music as a teenager, before he moved to the East Coast during high school. Following graduation, he became an anthropology major at the University of Massachusetts. Half way through his studies at the college, he went to Puerto Rico to study Spanish, and after six months he decided to move back to the U.S. to form a band. Thompson dropped out of school and moved to Boston, managing to persuade Santiago to join him. Advertising in a music paper for a bassist who liked "Hüsker Dü and Peter, Paul & Mary," the duo recruited Kim Deal (who was billed as Mrs. John Murphey on the group's first two records), who had previously played with her twin sister Kelly in the folk-rock garage band the Breeders in her hometown of Dayton, OH. On the advice of Deal, the group recruited drummer David Lovering. Inspired by Iggy Pop, Thompson picked the stage name Black Francis and the group named itself the Pixies after Santiago randomly flipped through the dictionary.
By the fall, the Pixies had played enough gigs to land a supporting slot for fellow Boston band Throwing Muses. At the Muses concert, Gary Smith, an artist manager and producer at Boston's Fort Apache studios, heard the group and offered to record them. In March 1987, the Pixies recorded 18 songs over the course of three days. The demo, dubbed The Purple Tape, was given to key players within the Boston musical community and the international alternative scene, including Ivo Watts, the head of England's 4AD Records. Impressed with the cassette, Watts signed the band and released eight of the demo's songs as the EP Come On Pilgrim in 1987.
The Pixies convened to record their first full-length album, Surfer Rosa, with producer Steve Albini, who had pioneered the thin, abrasive indie-guitar grind with Big Black. Albini gave the band a harder-edged, abrasive guitar sound, yet the group retained its melodic hooks. Released in the spring of 1988, Surfer Rosa earned enthusiastic reviews from the British weekly music press and became a college radio hit in America; in the U.K., the album made inroads on the pop charts. By the end of the year, the buzz on the Pixies had become substantial, and the group signed to Elektra Records. At the end of 1988, the group re-entered the studio, this time with British producer Gil Norton. Released in the spring of 1989, Doolittle boasted a cleaner sound and received excellent reviews, which led to greater exposure in America. "Monkey Gone to Heaven" and "Here Comes Your Man" became Top Ten modern rock hits, clearing the way for Doolittle to peak at number 98 on the U.S. charts; in the U.K., it entered the charts at number eight. Throughout their career, the Pixies were more popular in Britain and Europe than America, as evidenced by the success of the Sex and Death tour. The band became notorious for Black Francis' motionless performances, which were offset by Deal's charmingly earthy sense of humor. The tour itself became infamous for the band's in-jokes, such as playing their entire set list in alphabetical order. By the completion of their second American tour for Doolittle at the end of 1989, the group had begun to tire of each other and decided to take a hiatus during the beginning of 1990.
During the hiatus, Black Francis went on a brief solo tour and Kim Deal formed a group with Tanya Donnely from the Throwing Muses and bassist Josephine Wiggs of Perfect Disaster, naming it after her teenage band, the Breeders. The Breeders recorded the Albini-produced Pod, which appeared on 4AD in early summer 1990, shortly after the Pixies reconvened to record their third album with Gil Norton. More atmospheric than its predecessors, and relying heavily on Francis' surf rock obsession, Bossanova was released in the fall of 1990; unlike Surfer Rosa or Doolittle, it contained no songs by Deal. Bossanova was greeted with decidedly mixed reviews, but the record became a college hit, generating the modern rock hits "Velouria" and "Dig for Fire" in the U.S. In Europe, the record expanded the group's popularity, hitting number three on the U.K. album charts and paving the way for their headlining appearance at the Reading Festival. Though the supporting tours for Bossanova were successful, tension continued to grow between Kim Deal and Black Francis -- at the conclusion of their English tour, Deal announced from the stage of the Brixton Academy that the concert was "our last show."
While the Pixies did cancel their planned American tour, due to "exhaustion," the band reconvened in the spring of 1991 to record its fourth album, again with Gil Norton. Hiring former Captain Beefheart and Pere Ubu keyboardist Eric Drew Feldman as an auxiliary member, the band moved back toward loud rock, claiming to be inspired by the presence of Ozzy Osbourne in a neighboring studio. Upon its fall release, Trompe le Monde was hailed by some as a welcome return to the sound of Surfer Rosa and Doolittle, but closer inspection revealed that it relied heavily on sonic detail and featured very few vocals by Deal and none of her songs. The band embarked on another international tour, playing stadiums in Europe but theaters in America. During the spring of 1992, the Pixies opened for U2 on the opening leg of the Zoo TV tour; it would be their last trek through the United States. Upon the conclusion of the Zoo TV tour the Pixies went on hiatus, with Deal returning to the Breeders, who releasing the EP Safari later that spring. Francis began working on a solo album.
As he was preparing to release his solo debut, Francis gave an interview on BBC's Radio 5, announcing that the Pixies were disbanding. He hadn't yet informed the other members; later that day, he faxed them his statement. Inverting his stage name to Frank Black, Francis released his eponymous debut that spring to mixed reviews; over the next few years, Frank Black's audience gradually shrank to a small cult following. The Breeders released their second album, Last Splash, in the fall of 1993. The album became a surprise hit, going gold in the U.S. and spawning the hit single "Cannonball." Soon after, Deal also formed the Amps, who released their one (and only) album, Pacer, in 1995. Santiago and Lovering formed the Martinis in 1995 and appeared on the soundtrack to Empire Records. Although 4AD began issuing archival Pixies releases, including Death to the Pixies 1987-1991, Pixies at the BBC, and Complete B-Sides in the late '90s and early 2000s, those were relatively quiet years for the band's members. After releasing the disappointing The Cult of Ray for American in 1996, Black shuffled between different labels before ending up at spinART for 1999's Pistolero, where he also released his subsequent solo albums, most of which were met with a fair-to-middling response. Deal and the rest of the Breeders, meanwhile, suffered from problems ranging from substance abuse to writer's block, and only surfaced intermittently, spending time in the studio but only having a cover of 3 Degrees' "Collage" on the soundtrack to 1999's The Mod Squad to show for their efforts until they released Title TK in 2002. David Lovering left the Martinis and became the touring drummer for Cracker, and also appeared on Tanya Donelly's Sliding and Diving, but found himself unemployed in the late '90s. Combining his studies in electronic engineering at Wentworth Institute of Technology and his years of performing experience, Lovering dubbed himself a "scientific phenomenalist," a cross between a scientist, performance artist, and magician, and warmed up the crowds at Frank Black, Breeders, Camper Van Beethoven, and Grant Lee Buffalo concerts. Santiago and his wife Linda Mallari continued the Martinis through the '90s, recording several demos and self-released albums. Santiago also began a career composing soundtracks and incidental music, beginning with the score for 2000's Crime & Punishment in Suburbia, to which Black also contributed a track. At the time, rumors circulated that Santiago would join Black on-stage during one of his London dates on the Dog in the Sand tour; though this didn't happen, it at least sparked hopes that the Pixies would eventually reunite. These hopes seemed unfounded until 2003, when Black revealed in an interview that he had considered reuniting the band and that he, Deal, Santiago, and Lovering occasionally got together to jam. Soon after, it was confirmed that the Pixies would reunite in 2004 for U.S. tours in the spring and fall; an appearance at that year's Coachella festival; gigs in Europe and the U.K. that summer, including performances at the T in the Park, Roskilde, Pinkpop, and V festivals; and, possibly, to record a new album. All 15 of the band's North American warm-up tour dates were recorded and released in limited editions of 1,000 copies, which were sold online and at the shows. The week after the Pixies' Coachella appearance, the long-awaited DVD retrospective Pixies and revamped best-of Wave of Mutilation: The Best of the Pixies were released by 4AD. ~ Stephen Thomas Erlewine, All Music Guide
