专辑英文名: Finally Woken
歌手: Jem
音乐风格: 流行
资源格式: APE
发行时间: 2005年05月07日
地区: 英国
语言: 英语
简介:
Release Date: May 7, 2005
Label: BMG Japan
Asin: B0007WAEAC
Genres: Electronica / Trip Hop / Songwriter
专辑介绍：
被誉为Dido第二的Jem可谓是大器晚成。29岁的她才发行了自己的处女专辑Finally Woken。所幸的是这张类似Dido曲风的专辑很快风靡了全世界。相比于Dido的飘渺，Jem的音乐多了一种尘世味道。虽说是民谣专辑，可是也融合了 Rap~hip-pop等流行元素在其中。应该来说，这不是一张纯粹的英式专辑，它其实也混杂了许多世界音乐的成分。Jem也许并不算是一个美丽的女子，不过听着她的音乐时，却能感受到她纯净的心灵。
Jem首张专辑「如梦初醒〈Finally Woken〉」中除了歌迷影迷争相询问的"Come On Closer"外，开场曲"They"取样享誉国际的人声合唱团体「史温格歌手〈The Swingle Singers〉」诠释的"巴哈F小调前奏曲"，搭上孩童合音，结合古典及电子，创造出简洁的优雅美学；专辑同名曲"Finally Woken"取样童谣"Ride A Cock Horse"传递出明亮的调性；到了"24"又转为激昂的摇滚行径；"Stay Now"一开始就挑起高涨的戏剧张力。 整张专辑散发细腻与创意兼具的无穷魅力，无怪乎英美媒体对这张专辑好评不断，现在，jem的灵秀才情也将透过这张专辑温柔深植你的心。
Finally Woken, Jem's full-length debut, fleshes out the It All Starts Here EP with six additional tracks. It features the addicting title track, the same one that blew away KCRW and Nic Harcourt and got her signed to ATO, and it really is quite brilliant. With a dizzy main loop and loping percussion that undulates slyly beneath Jem's dusky vocal detachment, it sounds like what would happen if Beth Orton started bouncing ideas off of Super Furry Animals' hard drive. The song's formula essentially repeats throughout Finally Woken — Jem's simplistically alluring vocals stringing along subtle electronic percussion, ear-catching samples, and melodic loops built from traditional instruments. However, perhaps because this debut sort of snuck up on her, it seems stylistically scattershot. Jem and collaborator Yoad Nevo have a jones for switching things up. They elongate and reduce their elements wildly, to varying degrees of success. ("Missing You," for example, is just too weepy, while "Wish I"'s breezy '60s pop update somehow sounds too shrill.) Still, this adventurism is to be applauded. Jem could've rewritten "Finally Woken" ten times and given Dido a run for the MOR electro-pop title. Instead, she settles awkwardly between mainstream accessibility and intimate bedroom electronica — she even recorded much of her vocal work in bedrooms. "They" amplifies the percussion and drops in chattering children nonsensicals as a sample, while "Save Me"'s sultry bump could have been written for Ashanti. It just begs for an MC to break in; instead, Jem herself switches to cheeky sort of rap cadence for the final verse. "Mirror mirror on the wall/Who's the dumbest of them all?" she coos in her slight Welsh lilt. "24" is more aggressive with its insistent violin loop and roaring electric guitar — there's even a church bell tolling in the background — while "Falling for You" channels the breezy space pop of Zero 7. Overall, Jem's songcraft is only ambitious in relation to a genre often defined by a "blander is better" pleasure principle. But it's the intimacy she squeezes between Finally Woken's capable cutting, pasting, and sequencing that makes it really inviting. It's like a sheaf of endearingly crumpled love letters from a talented, scatterbrained friend.
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