中文名: 都铎王朝 第一季
英文名称: The Tudors Season 1
资源格式: MP4
版本: 根据[风软FRTVS小组出品]的RMVB版本自行压制的PSP用MP4版本。全季完。
首播时间: 2007年04月01日
导演: Michael Hirst
演员: Jonathan Rhys Meyers .... King Henry VIII
Sam Neill .... Cardinal Thomas Wolsey
Jeremy Northam .... Sir Thomas More
Gabrielle Anwar .... Princess Margaret
Callum Blue .... Knivert
Henry Cavill .... Charles Brandon
Henry Czerny .... Norfolk
Natalie Dormer .... Anne Boleyn
Maria Doyle Kennedy .... Queen Katherine
Nick Dunning .... Boleyn
James Frain .... Thomas Cromwell
Kristen Holden-Ried .... Compton
Steven Waddington .... Buckingham
Ruta Gedmintas .... Elizabeth Blount
地区: 美国
语言: 英语
简介:
【类 型】：Crime, Drama
【国 家】：美国
【语 言】：英文
【集 数】：未知
【字 幕】：中文
【服务器】: 随机
【分享时间】: 24小时
以下介绍引自Biostatistician帖子
【内容介绍】:
IMDB链接
http://imdb.com/title/tt0758790/
金羊网的介绍和评论
有魅力偏执狂《都铎王朝》中的亨利八世
金羊网-羊城晚报
http://www.ycwb.com/ycwb/2007-03/28/content_1430005.htm
罗颖/编译
据《时代》周刊
一个英俊富有魅力的年轻明星厌倦了他的婚姻，成天为没有子嗣忧虑，于是选择寻欢作乐、声色犬马———如果这让你想起的是《明星伙伴》（美国HBO电视网热播剧集），那么调整你的历史坐标吧，再往前移个500年。再给你加些限定———这个年轻人，叫亨利八世，他的第一个妻子是西班牙公主凯瑟琳，他的朋友是渥西主教和托马斯·莫尔骑士，而他的情妇则是安妮·博林，伊丽莎白一世的生母。
现在，听起来很熟悉了吧？
他是有杀妻欲的偏执狂
与人们从历史书上获得的关于肥胖的亨利八世的印象不同，如果16世纪有八卦小报，他肯定是每一期的封面明星。
对于喜欢历史更有趣一面的普通观众而言，没有比年轻的亨利八世更合适的人选了。他简直是一个闪着耀眼光芒但充满危险气息的摇滚明星，他聪明，有魅力，后来则成了一个有杀妻欲的偏执狂，为求子嗣而娶了六位妻子。通过娱乐产业来揭示他和他那个年代的确是件大好事，因为那是英国历史上被丑闻折磨得最厉害的一段。“那真是个性感的年代。其中的暴力和美实在无法被超越。”《都铎王朝》和《金色年代》的剧作者迈克尔·赫斯特说，“亨利因为爱上一个女人而毁了英国的历史。”
由于风骚的安妮·博林不停煽动亨利休掉他的第一任妻子凯瑟琳，亨利在凯瑟琳的天主教和安妮的新教信仰之间摇摆，整个国家的信仰也被这位专制君主的欲望所左右。
他是睿智的知识分子
《都铎王朝》不是一部《绝望的“宫廷”主妇》或者《白宫群英》。“那时的政治气候对知识分子没有任何好感，但都铎家族是英国皇家史上最有文化的一群。亨利甚至用拉丁文写了一本书。”北卡罗林那大学的历史学教授查尔斯·宾说。
不仅如此，亨利身边的聪明朋友们也有着敏锐的目光。比如山姆·内尔扮演的渥西主教，对于现代观众而言，他是一个令人惊讶的正面人物———他是一个工作狂，而非以前描绘的贪污分子和幕后政客。而托马斯·莫尔骑士，也是一个人道主义者。这两位幕僚说服强硬派的亨利将英国从与法国开战的悬崖边拉了回来，还明智地把缔结和平条约的功劳让给君主。“陛下，您将作为新世界的构建者而铭记于史册。”渥西主教说。
迈勒斯饰演的亨利八世与娜塔莉·多默尔饰演的安妮·博林
他的形象焕然一新
这部剧集充分展现了那个时代的美丽，有时还更加修饰。亨利的高领皮革装将极大地引来人们的喜爱。而安妮·博林在历史上一直被描述为一个长相普通的女人，但被戴着耀眼的珠宝、袒露着一大半胸脯的娜塔莉·多默尔一演绎，她的美摄人心魄，成了一个令人喜欢的女人。赫斯特说，这个剧中有85％的情节在历史上是真实的，但通过人性化表现方式，“我们会让他们更加真实些”。
29岁的乔纳森·莱斯·迈勒斯演出的是亨利在当外交使臣的年代，当时的他帅得简直相当于今天《人物》杂志评出的“最性感男士”。而这位曾经赢得金球奖的爱尔兰演员，有着足够表现亨利性感和风度的外貌。“我用直觉就能感觉到，乔纳森有很多地方和亨利很相似。”赫斯特说：“他们都觉得没有什么事情是他们乾不了的。”这种气质使得乔纳森举着巨大的长矛骑在马上、流利地操着五种语言说话的样子像足了亨利。“我以前想象中的亨利不是现在这样的，”乔纳森说，他在做了许多研究之后改变了原来的想法：“但我认识到他对他的国家的审美和文化改变有多深刻，他如何改变了整个欧洲的命运。”
都铎时代为何令人着迷？
对都铎王朝“复苏”的最大功臣还是英国著名的历史小说家菲利帕·葛里高利，他充满智慧的《博林家的另一个女孩》畅销26个国家，从安妮的姐姐玛丽的视角出发，描述了亨利的内阁。
葛里高利相信，我们之所以对都铎时代如此感兴趣，是因为他们的道德问题比我们现在遭遇的看起来答案明显多了。“当亨利决定砍了他第五个妻子的头时，要判断出他的对错是一件很容易的事情，”葛里高利说：“在这个一切都不确定的现在，这种简单的判断给人们带来舒服的踏实感觉。”可能会有战争，股票可能会跌，但当一个年轻性感的明星做的事情比你还糟的时候，你的生活看起来还是不错的。
《时代》周刊的英文介绍，是金羊网编译报道的原文
Thursday, Mar. 22, 2007
When Royals Become Rock Stars
By Rebecca Winters Keegan
http://www.time.com/time/magazine/article/...1601865,00.html
A handsome, charismatic young star is bored with his marriage and worried about his legacy. He distracts himself by bedding young lovelies, throwing extravagant parties and hanging out with friends who keep him out of trouble--at least until the wrong girl comes along. If this sounds like an upcoming episode of Entourage, then adjust your cultural references back about 500 years and add some tights. The young celeb: Henry VIII. The first wife: Catherine of Aragon. The friends: Cardinal Wolsey and Sir Thomas More. The temptress: Anne Boleyn. Sound familiar?
Unlike the corpulent old Henry VIII many of us remember from our history textbooks, young Henry VIII lived a life that was positively high-def-TV-ready, one that could have spiced up 16th century newsstands, had tabloid editors been around instead of Erasmus. And now Henry is making up for centuries of being relegated to the Old Kings' club by becoming Hollywood's hunk du jour. The Tudors, the most expensive Showtime series ever, starring Jonathan Rhys Meyers as a svelte and sporty King, starts April 1. A film adaptation of Philippa Gregory's 2002 best-selling historical novel The Other Boleyn Girl, with Natalie Portman as Anne Boleyn, Scarlett Johansson as her sister Mary and Munich's Eric Bana as another hubba-hubba Henry, is due later this year.
Other Tudor-era folk are getting their moment in the sun too. In this fall's The Golden Age, Cate Blanchett reprises her role as the steely Queen from 1998's Elizabeth. The very busy Johansson is scheduled to start filming a biopic of Mary Queen of Scots this summer. Even Sting is getting in on the Tudor buzz, popping up on chat shows with a lute to promote Songs from the Labyrinth, a CD of tunes by 16th century composer John Dowland. And fat Henry hasn't been left out. A just-closed exhibit of work by the King's portraitist, Hans Holbein, was a hit for London's Tate Britain museum.
For audiences who like their history juicy, relatable and full of comforting moral certainties--which is to say pretty much everybody without a Ph.D.--there may be no better subject than young Henry. He was a rock star in a glittering, perilous age, an intellectually curious, athletic charmer who became a uxoricidal, paranoid turkey-leg chomper, pursuing a male heir through six wives. It's a wonder it took the entertainment industry so long to fully exploit him--and the other Tudors too--since the period was one of the most scandal plagued in British history. The Diana-Charles divorce had nothing on the split from Rome. "It was a sexy time. It was a dangerous time. You can't exaggerate the violence and the beauty," says Michael Hirst, screenwriter of The Tudors and The Golden Age. "This is the moment when Henry--because he falls in love with a younger woman--destroys English history."
The house of Tudor stretched from 1485, with the coronation of King Henry VII, to 1603, the end of the reign of Elizabeth I, Henry VIII's daughter with Anne Boleyn. It was an era of religious turmoil, fomented by coquettish Lady Anne Boleyn lobbying for her King to annul his marriage to his first wife, Catherine. As Henry teetered between Catherine's Catholicism and Anne's Protestantism, the faith of a nation depended on a monarch's lust. "Our biggest enemy is terrorism," says Charles Beem, a historian at the University of North Carolina at Pembroke. "Theirs was the Reformation. You can't overestimate how traumatic the changes in the church would have been." You might get close if you imagined that Monica Lewinsky had been a radical Islamist and Bill Clinton married her and made everyone convert.
Showtime is setting up its hot new Henry at 10 p.m. on Sunday nights, practically monarch-a-monarch with HBO's departing head of state Tony--Soprano, that is. It's a fair pairing; both men have violent but paternalistic leadership styles, endure family troubles and suffer from excessive appetites. But unlike the bathrobed, balding James Gandolfini, Rhys Meyers, 29, will play Henry at an age when he was described by a foreign ambassador as "the handsomest prince in all of Christendom," the 16th century equivalent of being named PEOPLE magazine's "Sexiest Man Alive." The Irish actor, who won a Golden Globe for his performance as a different sort of swaggering king in the 2005 CBS mini-series Elvis, has the full lips and slim hips to carry off the King's sexy side, and a bit of the demeanor too. "Jonny, by instinct, has many of the same qualities as Henry," says Hirst. "He has a short attention span. He never thinks there's anything he can't do." All of which helps when the actor has to declare war, ride a horse while carrying a giant wooden lance and speak five languages convincingly. "I had other images of Henry," says Rhys Meyers, who changed his mind after some research. "But I realized the profound aesthetic and cultural change he had on his country and how it shaped Europe's destiny."
It's the thoughtful Henry scenes that elevate The Tudors from Desperate Palacewives to a West Wing--esque political drama. Like Martin Sheen's President Bartlet, Rhys Meyers' Henry is appealingly curious about the world around him. "We live in a political climate that is so anti-intellectual," says Beem. "The Tudors are the best-educated monarchs ever to get on the English throne. Henry wrote a book in Latin." He also had a keen eye for talent, surrounding himself with brilliant men like Cardinal Wolsey, played by Sam Neill as a surprisingly sympathetic character for modern audiences--more of a workaholic gunning for a promotion than the venal, grasping manipulator he's often depicted as--and Sir Thomas More, Jeremy Northam's gentle humanist. When the two measured advisers talk their hawkish young King away from the brink of a costly war with France, they're savvy enough to let the boss take credit for the newfangled peace-treaty idea. "Your majesty would be known as an architect of a new and modern world," Wolsey says, managing up expertly.
The series takes full advantage of the beauty of the era, sometimes embellishing it. Henry's high-collared leather costumes are meant to evoke a kind of Tudor Mick Jagger in his prime. Anne Boleyn is described by historians as plain looking, but as played by Casanova's Natalie Dormer in gigantic jewels and plunging necklines, she becomes progressively more stunning as the series unfolds and her power over Henry expands. Hirst says he contemporized dialogue but not much else, and he estimates that about 85% of the show is historically accurate. By adding dimension to the standard caricatures of Henry and his court, "we may, strangely, be getting closer to the real people," Hirst says.
While the movies and TV shows are creating a lot of splash, much of the credit for the current Tudor revival probably belongs to British historical novelist Gregory, whose book The Other Boleyn Girl is in print in 26 countries, including Japan and Russia, with more than 1 million copies sold in the U.S. Behind the popularity of Gregory's intelligent, well-researched books--including her most recent, The Boleyn Inheritance--is the author's focus on the secret histories of the women on the sidelines of the Tudor era. The Other Boleyn Girl depicts Henry's claustrophobic court from the perspective of Anne's sister Mary, who also bedded the young King but apparently wasn't charming, cunning or foolhardy enough to get him to create a new church to close the deal.
"My readers like my heroines," says Gregory. "There is something about women in a lot of danger making their own way that appeals." Which raises an interesting question: Is it the difference from their own lives or the similarity to the Tudors' situation that Gregory's fans find compelling? Though it's generally considered a period in which women were repressed, Beem--whose book The Lioness Roared focuses on female rule in English history--feels the Tudor era is of particular interest to women in positions of influence. In terms of being a female in a boys' club, Elizabeth was way ahead of her time. "She's the model of female rule in a male-dominated society," Beem says. "Elizabeth was the master of taking female traits and turning them into successful strategies for leading. She was King and Queen at the same time. She became one of the best diplomats of the 16th century by flirting with ambassadors. She saw it as great fun."
Today we cling to the Tudors, Gregory believes, because their moral questions have more obvious answers than ours. "When Henry decides to behead a young woman [his fifth wife, Catherine Howard], it's so obviously a bad thing to do that it's satisfying to the reader," Gregory says. "To judge it gives us comfort and certainty in an uncertain world." Sort of like reading a tabloid. A war may rage on, the stock market may tumble, but things are still O.K. if some sexy young star is behaving more badly than you are.
