专辑英文名: Eternity
歌手: Eternity ∞
音乐风格: 流行
资源格式: MP3
发行时间: 2009年06月03日
地区: 德国
语言: 英语
简介:
专辑码率：320Kbps
专辑风格：Pop,R&B,Classical
专辑介绍：
离开sweetbox的主唱Jade和制作人Geo组成的ETERNITY ∞正式发布了首张专辑ETERNITY。在经历了一个辉煌的十年后，ETERNITY ∞接替了流行结合古典这个构想的权杖并把它带到一个新的高度。起初这个特别的构想是由GEO于90年代发起的。在1999年随着EVERYTHING's GONNA这首歌的大热而取得极大地成功，JADE VILLALON的声音特质完美的诠释了这首歌。之后陆续的推出了For The Lonely,Cinderella,Read My Mind,Life Is Cool,Liberty,Somewhere,Hate Without Frontiers,Testimony，Lacrimosa，Addicted一系列脍炙人口的歌曲。从1999到2009的十年间，经历了sweetbox时期无数经典的歌曲和2张单飞专辑及歌曲的改编混合和演唱会的洗礼后，Jade & Geo希望能够回归本源，用Jade完美的嗓音和Geo触动人心的音乐再次将古典乐主题结合起来，而这次他们设定了更高的标准：赋予每首歌一个古典乐主题。
Jade说：“我们为热爱古典和罗曼蒂克的歌迷专注制作了这张特别的专辑。我们的音乐每年都给人们带来不同的东西，而我们流行结合古典风格的影响依旧强烈。我想每当一个组合或歌手有所改变时，人们总是会担心他们将失去从前喜欢的音乐。我希望这张专辑能够让歌迷轻松地放下这些忧虑。我知道我们的音乐多年来对歌迷意味着什么，但是在sweetbox之后Geo和我都需要一些喘息的空间和时间为我们的音乐和生活探索一个新的方向。今年是一个恰当的时机，我们的心已经归位，终于在2年后为热切盼望的歌迷带来了这张专辑”。
许多事情都会改变，但有些东西依旧永恒不变。音乐是永恒和独一无二的，它能够振奋人心，是鼓舞我们继续前进的动力。音乐能带你穿越时间，找到自我的心灵归宿。它总是能让你的脑子浮现美好的记忆，修补你受伤的心灵。莫扎特，巴赫，维瓦尔第，帕赫贝尔这些大师的经典之作为这个世界带来永恒的旋律，感动和洗礼着一代又一代的人。ETERNITY ∞的新专辑ETERNITY正是希望能够让这些杰作引以为豪。
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曲目简介：(转自ETERNITY ∞ Fan Page)
01.∞优美的∞『Wonderful World』「美妙天地」〖取材于帕海贝尔《卡农》,舒缓悠扬的旋律激起我们对生活的无限热爱〗
02.∞灵动的∞『Love』「真爱」〖取材于帕海贝尔《卡农》,欢快灵动的节奏让听者渴望寻觅真爱〗
03.∞节奏的∞『Vanity』「罪爱虚荣」〖取材于柴可夫斯基《一号钢琴协奏曲》,运用名牌的罗列反映虚容心之浮华〗
04.∞欢快的∞『I Will』「我愿意」〖取材于维瓦尔第《四季·春曲》,活泼俏皮的演唱阐述爱情与婚姻的关联〗
05.∞深情的∞『Worth It All』「一切都值得」〖取材于普契尼《今夜无人入睡》,感人至深的曲调折射出深爱的光芒〗
06.∞恢弘的∞『Change The World』「改变世界」〖取材于戈尔德《出埃及记》，恢弘的引曲为歌曲营造大气磅礴的基调〗
07.∞唯美的∞『How Far』「多远」〖取材于格里格《索尔维格之歌》，唯美的歌声勾勒出深远的歌曲意境〗
08.∞宣泄的∞『Damn』「可恶」〖取材于阿尔比诺尼《G小调柔板》，低沉的独白引出情绪的痛快宣泄〗
09.∞阴郁的∞『No Apologies』「毫无歉意」〖取材于韩德尔《萨拉邦德变奏曲》，阴郁的伴奏配以整齐的节拍烘托歌者的决心〗
10.∞舞感的∞『Only Human』「只是人」〖取材于格里格《晨曲》，悠远的晨曲结束转瞬进入不同的氛围〗
11.∞悠长的∞『So Deep』「深夜」〖取材于肖邦《离别》，内心的黑暗使歌者忘却了光明的美好〗
12.∞缠绵的∞『You Smile』「当你微笑」〖取材于帕海贝尔《卡农》，暗恋或许有一种失落与幸福并存的味道〗
13.∞感怀的∞『Hello Goodbye』「嗨!拜!」〖取材于莫扎特《小夜曲》，是否再见后残余的只有无尽的感伤〗
14.∞宁静的∞『Broken Lullaby』「破碎的摇篮曲」〖取材于萨蒂《裸体歌舞》，清澈的配乐使歌曲凸显宁静安逸之感〗
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Song&Classical Info
ADDITIONAL INFO about PACHELBEL
Johann Pachelbel (*1653 ~ 1706) was a German Baroque composer, organist and teacher. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era. Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the CANON in D major, the only canon he wrote, a piece of chamber music scored for three violins and basso continuo and originally paired with a gigue in the same key; it is one of the most recognised and famous baroque compositions.
ADDITIONAL INFO about Tchaikovsky
Pyotr Ilyich Tchaikovsky († 1840 – 1893††) was a Russian composer of the Romantic era. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, several symphonies, and the opera Eugene Onegin.
ADDITIONAL INFO about Puccini
Giacomo Puccini (1858 - 1924)
was an Italian composer whose operas, including La bohème, Tosca, Madame Butterfly and Turandot, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O mio babbino caro" from Gianni Schicchi, "Che gelida manina" from La bohème, and "Nessun dorma" from Turandot have become part of popular culture.“Nessun dorma” (English: No one shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all opera.
ADDITIONAL INFO about Händel
Georg Friedrich Händel (1685 – 1759)
was an English Baroque composer of German birth who is famous for his operas, oratorios, and concerti grossi. His life and music may justly be described as "cosmopolitan". He was born in Germany, trained in Italy, and spent most of his life in England. Born in Halle in Saxony-Anhalt, he settled in England in 1712, becoming a naturalized subject of the British crown on 22 January 1727. His works include Messiah, Water Music, and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque era, as well as the English composer Henry Purcell, Händel's music became well-known to many composers, incl. Haydn, Mozart and Beethoven.
Händel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season.
In music, the sarabande (It., sarabanda) is a dance in triple metre. The second and third beats of each measure are often tied, giving the dance a distinctive rhythm of crotchets and minims in alternation. The crotchets are said to have corresponded with dragging steps in the dance. Although Händel wrote many sarabande movements, the one included as the fourth movement in his Keyboard suite in D minor for solo harpsichord achieved mmense popularity when an orchestrated version was used by Stanley Kubrick for his 1975 film Barry Lyndon. Later, Brian De Palma featured the same orchestration as the overture for his 2007 film Redacted. Also, in another direct reference to Barry Lyndon, Michael Winterbottom included this sarabande in A Cock and Bull Story in a new arrangement by Michael Nyman.
ADDITIONAL INFO about Grieg
Edvard Grieg (1843 – 1907)
was a Norwegian composer and pianist who composed in the Romantic period. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes "Morning Mood" starting the first suite and Solveig's Song, the last part of 2nd suite), and for his collection of piano miniatures Lyric Pieces.
Ibsen asked Edvard Grieg to compose incidental music for the play. Grieg composed a score that plays approximately ninety minutes. Grieg himself declared that it was easier to make music "out of his own head" than strictly following suggestions made by Ibsen. For instance, Ibsen wanted music that would characterize the "international" friends in the fourth act, by melding the said national anthems (Norwegian, Swedish, German, French and English). Reportedly, Grieg did not have the right temperament for this task.
