专辑英文名: Mozart: Violin Concerto #3, Adagio & Fugue, Symphony #41
专辑中文名: 莫扎特 第三小提琴协奏曲
艺术家: Itzhak Perlman
古典类型: 协奏曲
资源格式: FLAC
发行时间: 2002年
地区: 美国
语言: 英语
简介:
唱片公司：EMI
唱片编号：7243 5 57418 2 0
资源出处：原版CD抓轨
专辑介绍：
伊沙克·帕尔曼（Itzak Perlman）当今世界上最引人注目的小提琴家。出生在以色列的特拉维夫，5岁开始学琴，1958年13岁的帕尔曼被选送到美国电视台演出，1958年移居美国。由于帕尔曼在4岁时患小儿麻痹症，成为终身残疾，因而无法站立演奏，但他却以超常的毅力，克服困难，最终成为世界级小提琴大师。
帕尔曼移居美国不久，就受到著名小提琴家斯特恩的赏识，获得“以美基金会”奖学金，进入美国著名的朱丽亚音乐学院，师从伊凡·加拉米安和多罗西·狄雷教授学琴。1964年，帕尔曼在美国列文垂特国际小提琴比赛中获一等奖，被人称作“小提琴王子”。帕尔曼演奏的最大特点，是把浪漫主义的热情洒脱和古典主义的和谐均衡完美地结合在一起。他能驾驭各种音乐风格的作品，并试图用不同的音乐来表达不同的音乐内容。1964年他赢得了著名的Leventritt比赛，为他打开了通向世界之路。伊沙克·帕尔曼经常和世界著名的管弦乐团合作，出现在独奏会或音乐节的舞台上。1987年11月，他加入以色列爱乐乐团，赴华沙和布达佩斯公演，展示了东方独奏家的最高水准。1990年四月，他和以色列爱乐乐团一起首次赴苏联，于莫斯科和列宁格勒演出。近年来，伊沙克·帕尔曼继续和他的伴奏者Bruno Canino、Samuel Sanders在世界各大城市巡回演出。1996的帕尔曼年度计划表包括在欧洲、亚洲和北美的交响音乐会和独奏音乐会，以及和世界最著名的交响乐团、指挥家的合作演出。
帕尔曼有一双令人羡慕的大手，但手指却十分伶俐，他的运弓饱满且极富倾诉力，他十分注意声音的歌唱性，其松弛的演奏，带给人们的是情感的波动，人们从他的演奏中感受到了力和美。帕尔曼擅长演奏帕格尼尼、维尼亚夫斯基、巴赫等人的作品，尽管他那炉火纯青的演奏技巧，面对那些炫技性的段落完全驾轻就熟，但他对乐曲合乎逻辑的处理，和对音乐的深刻理解才是他演奏成功的基石。
以下是EMI的官方专辑介绍
引用
The Israeli violinist Itzhak Perlman was born in Tel Aviv on 31st August 1945. With total disregard for the physical obstacles placed in his way as a childhood victim of polio, he has forged a glittering international career as a soloist, chamber musician, pedagogue and latterly as a conductor. Having emigrated to America, he studied at the Juilliard School and made his professional debut at Carnegie Hall in 1963.
He made his first recordings for EMI in 1971. The first recording, with his friends Daniel Barenboim and Pinchas Zukerman, was of Bach concertos, and was followed the same year by a coupling of the Paganini 1st Concerto and the 24 Caprices.
Over the subsequent 32 years, his vast recorded repertoire has stretched from the solo Bach Sonatas and Partitas, via major chamber works including those of Beethoven and Brahms, through to most of the major orchestral repertory: the EMI Classics catalogue boasts concertos by Barber, Beethoven, Brahms, Bruch, Dvorak, Goldmark, Korngold, Mendelssohn, Prokofiev, Saint-Saens, Shostakovitch, Tchaikovsky and Wieniawski; as well as Perlman’s celebrated recording of Vivaldi's Four Seasons. In addition, he has also made excursions into the realm of Klezmer music with three highly acclaimed albums as well as a Joplin and a Jazz album with André Previn, and a duet album with Placido Domingo.
In recent years, Itzhak Perlman has started a successful conducting career whilst continuing that of an international soloist. He has made highly successful guest appearances with the English Chamber Orchestra, the London Philharmonic, the Chicago Symphony and the Philadelphia Orchestra. He currently also holds guest positions with two American orchestras: Principle Guest Conductor with the Detroit Symphony Orchestra and Music Advisor to the Saint Louis Symphony Orchestra.
As a way of reflecting both his current and future careers, it seems appropriate that EMI should recognise this important new step by an artist to whom it owes so much, by accompanying him on his 'old' and 'new' musical journey and by combining both in the form of a 'summit conference' with one of the world's greatest orchestras, the Berliner Philharmoniker.
