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Tom Mac 向我们展示了怎样使用AI的钢笔工具和对象分层技术来绘制一张水滴飞溅效果的人脸。
·
软件Illustrator CS3 or later
·
需时3-6 hours
·
技能
o 掌握钢笔工具
o 使用描线来创造与众不同的效果
o 使用专色
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画一幅肖像画，在别人看来已经习以为常，没有多少新意了。所以面对数字时代与日俱增的竞争压力，你必须加入一些自己的语言，来吸引大众的注意。
在本教程中，我将给你展现怎样创造一个非凡的，富有层次感的水滴飞溅的肖像画。我们会用到钢笔工具，色库，以及有效的分层技法来完成本作品。一旦你掌握了这些技术，你能将它们使用在创造更复杂精细以及更个性化的图像上。
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01 首先，创建脸部轮廓。使用钢笔工具来标记出一些描点，然后转换描点，让线条变得顺滑流畅。我是在A3的纸面上绘制的，用的描边是0.5。你不需要在这一步做的尽善尽美，因为所有的元件在以后的任何时候都能够做出调整。
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02 当你对描绘的轮廓满意后，这是最重要的是确保你的描边已经扩展了，这样就不会因为对象的放大缩小出现描边大小不变的状况了。你可以这么做，选择描边，菜单中，对象>扩展。当这些完成后，清除一些末端的描点，是线条变得更加优美。
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03 画面中需要暗部来做一些平衡。使用钢笔工具，绘制一个肖像的暗部，仔细描绘一些细节，比如眼睫毛。试着把握画面的明暗平衡，不要让画面失控了。当然也不要忘记，如果你愿意，你可以之后回过来继续调整任何一个描点。
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04 现在基础的形状已经完成了，现在需要选择一个色版了。我使用了一种深色和四种有些变化的浅色。我还选择了一种亮色，来打破暗色系带来的沉闷感。选好颜色后，锁定轮廓图层，创建一个新图层，使用钢笔工具描绘着肖像轮廓，创建一个底色图层。你可以命名它为“皮肤”或者“底色”，拖至最底层。
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05 你可以加入更多的细节了，使用你之前选出的颜色来填充。在锁着的图层上方新建一两个图层。你现在就可以毫无顾忌的绘制了。你不会被不小心点选其他图层而烦恼。试着保持图形线条流畅，就像水流一样。你可以排列对象层级，通过Ctrl/Cmd+[/]。
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06 对于水滴，很容易就绘制出来了。使用钢笔工具，绘制一个三角形，然后把当中点的柄往外拉，两边的点向内拉。你就能看到水滴状的曲线了。你可以不断的尝试：通过工具面板，改变第三个点的位置和描点轴，来创造不同的效果。
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07 为了创造水流的效果，水滴的边缘与图形的结合处需要很流畅。试着加入更多的描点，来做些调试。
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08 现在就是创造水流效果的时间了。新建一个图层，置于顶层。为了要有更好的效果，你需要单独的创建每一个水滴。但是，如果你愿意，你可以复制一些水滴，然后稍作调整。确保你创造出来的图形自然流畅。
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09 当你觉得这些水滴摆放的位置没有问题了，把图形用水滴联合起来将是一个很好的方法，让画面更加有流动感。这样也能处理大块空白给画面带来的不平衡。你可以向下脸被水泼到后的效果，确保水滴最终的路径以及扩散能够带来不错的效果。
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10 这一步，绘制头发的轮廓，就像你在绘制人脸时一样。你可以先绘制一个大体的形状，然后再慢慢绘制细节，填充一些色块。确保你的暗部与亮部和人脸保持一致。
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11 当头发的总体结构已经确定。你就需要创建更多的细节了。使用钢笔工具，你需要把填充给关闭，然后描边是细线。你需要把发丝和暗部做一些混合。这会一件很耗时的事情，但是效果也是非常震撼的。
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12 现在要给头发上色了。就像给脸部上色一样，你需要在发丝下面的一层创建一些图形，填充一些比较亮的颜色。当这一步完成后，把其中的几块颜色，加入细微的渐变。这并不重要，但是两种颜色的变化可以给头发一些美妙的感觉。
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13 现在你要绘制更多的细节，绘制一些发丝，将它们描边扩展，通过控制描点，做出发梢的效果。
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14 肖像基本绘制完成，所以返回全图查看总体画面。如果有一些区域不符合整体的风格，那就改善它们吧。试着找出缺少细节的区域或者是太多空白的区域，尝试填充合理的细节。
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15 当你完成了所有的步骤，我建议解锁所有图层，然后全选所有对象。自此，编组对象，然后扩展。以便你能够作为智能对象拖入photoshop做一些调整。
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Tom Mac
Illustrator Tom is completing his final year at UCA
Epsom, where he’s studying for a degree in Graphic Design: New Media. He has
freelanced for a range of clients and studios, including Shotopop.
www.tommacdraws.co.uk