进口CD:贝利尼:我Capuletié我蒙泰基 Bellini: I Capuleti e i Montecchi(CD)4778031C
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品牌: Anna NetrebkoElina GarancaVincenzo BelliniFabio LuisiWiener Symphoniker
商品描述Yes, the two ladies, Anna Netrebko and El na Garan a, can together portray an operatic pair of lovers; and yes: it was audibly confirmed that the women have earned their privileged position in the CD market Netrebko moves back and forth between dainty shyness and dark melancholy in coloratura passages she then displays the velvety splendour of her soprano Garan a s approach is equally flexible as she moves between lyricism and drama with absolute mastery and great intensity Standing ovation --Der Standard (Vienna), April 2008
Accompanied by the inspired Vienna Symphony Orchestra under Fabio Luisi, Netrebko as Giulietta and the Latvian mezzo Garan a as Romeo delivered a thrilling display of bel canto at its most beautiful Together with the brilliant Joseph Calleja as Tebaldo, the two divas outwardly so different sang exactly as Bellini himself demanded, especially in the second act: The opera, through singing, must make one weep, shudder, die The Vienna audience expressed its gratitude with a 15-minute standing ovation --Salzburger Nachrichten, April 2008
Netrebko was vocally unflappable the lyrical, deeply felt arias were particularly well suited to the dark, succulent timbres of her nonetheless girlishly youthful-sounding voice El na Garan a succeeded in convincingly projecting both the young nobleman s energy and the lover s caressing thirds, and, as the work requires, was the gently dominating partner in this wonderful pairing of voices, which harmonized, not through the similarity, but rather the distinctiveness of their vocal colours --Die Presse (Vienna), April 2008
Disque 1
1 I capuleti e I montecchi r
2 I capuleti e I montecchi - aggiorna appena ed eccoci
3 I capuleti e I montecchi - o di capellio generosi amici
4 I capuleti e I montecchi - e serbato a questo acciaro
5 I capuleti e I montecchi - l'amo tanto, e m'e si cara
6 I capuleti e I montecchi - vanne, lorenzo; e tu, che il puoi
7 I capuleti e I montecchi - lieto del dolce incarco
8 I capuleti e I montecchi - ascolta, se romeo t'uccise
9 I capuleti e I montecchi - riedi al campo
10 I capuleti e I montecchi - la tremenda ultrice spada
11 I capuleti e I montecchi - andante maestoso
12 I capuleti e I montecchi - eccomi in lieta vesta
13 I capuleti e I montecchi - oh! quante volte
14 I capuleti e I montecchi - proprizia e l'ora
15 I capuleti e I montecchi - si, fuggire: a noi non resta
16 I capuleti e I montecchi - ah! crudel, d'onor ragioni
17 I capuleti e I montecchi - odi tu?
18 I capuleti e I montecchi - vieni, ah! vieni, e in me riposa
19 I capuleti e I montecchi - lieta notte, avventurosa
20 I capuleti e I montecchi - deh! per pieta t'arresta
21 I capuleti e I montecchi - tace il fragor silenzio
22 I capuleti e I montecchi - io te lo chiedo
23 I capuleti e I montecchi - che miro? il perfido nemico ambasciator
24 I capuleti e I montecchi - soccorso, sostegno accordagli
25 I capuleti e I montecchi - accoriam romeo!
26 I capuleti e I montecchi - se ogni speme
Disque 2
1 I capuleti e I montecchi - introduzione
2 I capuleti e I montecchi - ne alcun ritorna!
3 I capuleti e I montecchi - morte io non temo il sai
4 I capuleti e I montecchi - prendi, glistanti volano
5 I capuleti e I montecchi - ah! non poss'io partire
6 I capuleti e I montecchi - qual turbimento io provo!
7 I capuleti e I montecchi - deserto e il luogo
8 I capuleti e I montecchi - chi sei tu, che ardisci
9 I capuleti e I montecchi - quai voci! oh, dio!
10 I capuleti e I montecchi - ella e morta, o sciagurato
11 I capuleti e I montecchi - quai voci! oh, dio!
12 I capuleti e I montecchi - ecco la tomba
13 I capuleti e I montecchi - deh! tu, bell'anima
14 I capuleti e I montecchi - o tu, mia sola speme
15 I capuleti e I montecchi - ah, crudel! che mai facesti?
Anna Netrebko: Anna Netrebko was born in Krasnodar, in the south of Russia, in 1971 She received her vocal training at the St Petersburg Conservatory, where she appeared as Susanna in Le nozze di Figaro and Violetta in La Traviata In 1993 she was first-prize winner of the Glinka Vocal Competition in Moscow, and joined the ensemble of the Mariinsky Theatre in St Petersburg, to which she still belongs In 1995 she graduated from St Petersburg Conservatory and made her sensational US debut as Lyudmila in Glinka's Ruslan and Lyudmila at the San Francisco Opera Praised both for her glorious voice and beauty, Anna Netrebko is acknowledged today as one of the world's most stunning young sopranos who sweeps audiences off their feet wherever she appears.
1996 Prizewinner at the International Rimsky-Korsakov Vocal Competition, St Peters¬burg; makes BBC debut (also telecast) with Gergiev and the Rotterdam Philharmonic Orchestra 1999 Washington Opera debut as Gilda in Verdi's Rigoletto 2000 Acclaimed as Natasha in Prokofiev's War and Peace under Gergiev at the Mariinsky Theatre and at Covent Garden 2002 Sings Natasha in her Met debut and her first Donna Anna in her debut at the Salz¬burg Festival in a new production of Don Giovanni, conducted by Nikolaus Harnoncourt; Giulietta in Bellini's I Capuleti e i Montecchi in her Philadelphia debut Signs an exclusive contract with Deutsche Grammophon 2003 Vienna and Bavarian State Opera debuts as Violetta Release of Netrebko's debut recording on Deutsche Grammophon, a collection of opera arias by Bellini, Ber¬lioz, Donizetti, Dvořák, Gounod, Massenet, Mozart and Puccini (Amadeus Music Award 2003, Echo Award 2004 "Female Singer of the Year") 2004 Opera appearances as Violetta in Munich, Musetta in La Bohème in San Francis¬co, Natasha and Bellini's Giulietta at the Salzburg Festival; BBC Proms concert in London Release of Sempre libera, conducted by Claudio Abbado (Gold Record; two Echo Awards 2005); DVD release Anna Netrebko: The Woman - The Voice 2005 Role debut as Gounod's Juliet in Los Angeles and Violetta in a new production of La Traviata at the Salzburg Festival, both with Rolando Villazón Sensational worldwide acclaim for the live recordings of the complete opera (Echo Award, two platinum discs and a Grammy nomination in 2006, and the Prix Toscanini - Académie du disque lyrique and the Victoires de la musique classique in 2007), and Violetta, arias and duets from La Traviata; Russian President Vladimir Putin awards her a State Prize in the field of Literature and the Arts 2006 Opera engagements include Gounod's Roméo et Juliette and Bellini's Sonnambula in Vienna; Rigoletto and La Bohème (with Rolando Villazón, Plácido Domingo conducting), Don Pasquale and I Puritani at the Met; Susanna in Figaro at the Salzburg Festival and Massenet's Manon, again with Villazón under Domingo, in Los Angeles Concerts in London, Vienna and Moscow together with Villazón singing opera arias and duets Spectacularly successful open-air concert in Berlin's Waldbühne with Villazón and Domingo, telecast worldwide and released on DVD (Echo Award 2007, platinum status in 2008); other DVD releases: the Salzburg productions of La Traviata and Figaro (Complete Mozart Operas box); audio releases: her highly acclaimed Russian Album, and The Mozart Album - with Deutsche Grammophon's star singers Receives Bambi, Germany's most prestigious media award in the category "Classical Music" 2007 Bellini's I Puritani and Roméo et Juliette at the Met, Massenet's Manon at the Vienna and Berlin State Operas, Don Giovanni at London's Covent Garden, and La Traviata at the Deutsche Oper, Berlin Concert performances of La Bohème (with Villazón) in Munich, which are recorded by DG and provide the soundtrack to a cinema/TV film Concerts with Villazón in Paris, at the Met, and on a German summer tour Debut at New York's Carnegie Hall singing opera arias and duets with baritone Dmitri Hvorostovsky; Pergolesi's Stabat Mater in Moscow and Vienna; sensationally acclaimed concert at the BBC Proms Releases: her Duet Album with Villazón (audio); individual release of Le nozze di Figaro from the Salzburg Festival 2006 (Académie du disque lyrique and Victoire de la musique classique awards, 2007), and The Opera Gala - Live from Baden-Baden with Elīna Garanča, Ramón Vargas, Ludovic Tézier, and the Stuttgart Radio Symphony Orchestra under Marco Armiliato (both available on DVD and as audio release); live recording of Bellini's I Puritani from the Met (on DVD) Her Russian Album (Echo Award 2007) reaches gold status in Germany and Austria Musical America names her "Musician of the Year for 2008", Time magazine includes her in its list of the 100 most influential people in the world; Classical Brit Award as "Singer of the Year" She becomes Global Ambassadress for the Austrian-based charity SOS-Kinderdorf International 2008 Opera performances include La Traviata at London's Covent Garden, Massenet's Manon at the Vienna State Opera, Bellini's I Capuleti e i Montecchi in Vienna and at the Opéra National de Paris (debut), and Lucia di Lammermoor at the Mariinsky Theatre Concerts include a spectacular open-air concert with Rolando Villazón and Plácido Domingo at the Schönbrunn Palace in Vienna Audio releases: La Bohème with Villazón and the Bavarian Radio Symphony Orchestra led by Ber¬trand de Billy, and Souvenirs - a selection of Anna Netrebko's favourite arias and songs in which she is accompanied by the Prague Philharmonia under Emmanuel Villaume DVD releases: a Mozart Gala from Salzburg with singers Thomas Hampson, Magdalena Kozená, René Pape, Patricia Petibon, Ekaterina Siurina, Michael Schade and the Wiener Philharmoniker under Daniel Harding; Masse¬net's Manon with Villazón and the Staatskapelle Berlin led by Daniel Barenboim President Vladimir Putin presents her with Russia's highest state cultural honour as the "People's National Artist" at a gala concert in the Mariinsky Theatre Classical Brit Award as "Female Artist of the Year" 2009 She performs in Lucia di Lammermoor at the Mariinsky Theatre, the Vienna State Opera, and the Met (here with Villazón); in Bellini's I Capuleti e i Montecchi at Covent Garden (with Garanča); in La Traviata at the Zurich Opera, the Vienna State Opera and San Francisco Opera; in La Bohème at the Bavarian State Opera; alongside with Villazón in Tchaikovsky's Iolanthe in Baden-Baden; and in Donizetti's L'elisir d'amore with Villazón at the Paris Opera Concerts include appearances with Hvorostovsky in Germany and London; she also appears at the Salzburg Festival, and in Scandinavia Audio release of I Capuleti e i Montecchi with Elīna Garanča, the Wiener Symphoniker and Fabio Luisi
Elina Garanca: Elīna Garanča was born in Riga in 1976 into a musical family In 1996 she entered the Latvian Academy of Music in Riga One of her most formative experiences came in 1998 while she was still a student: with only ten days' notice, she performed the role of Giovanna Seymour in Anna Bolena and uncovered a deep affinity with the bel canto repertoire After graduation she joined the Meiningen Staatstheater in Germany where she appeared in roles including Octavian in Der Rosenkavalier In 1999 she also sang the role of Maddalena in Verdi's Rigoletto at the Savonlinna Opera Festival and won the Mirjam Helin Singing Competition in Finland She has since appeared at the world's major opera houses and concert venues and established herself as one of the music world's newest stars thanks to her beautiful voice, musicianship and compelling stage portrayals In 2006 she received the European Culture Prize during a gala at the Frauenkirche in Dresden which was broadcast on German television; in 2007 she was honoured with an Echo Award for Aria cantilena - her first solo recording for Deutsche Grammophon, and the Three-Star Order from the Latvian State 2000 Wins the Latvian Great Music Award Moves to the Frankfurt Opera where roles in her first seasons include the Second Lady in Die Zauberflöte, Hansel in Hänsel und Gretel, and Rosina in Il barbiere di Siviglia 2001 Finalist in the BBC's Cardiff Singer of the World Competition Makes her solo recording debut: a programme of opera arias 2003 At the Vienna State Opera: Lola in Cavalleria rusticana, Orlofsky in Die Fledermaus, Meg Page in a new production of Falstaff, and Rosina in Il barbiere di Siviglia Salzburg Festival debut as Annio in La clemenza di Tito Sings Dorabella in Così fan tutte in Frank¬furt Appears as Rosina and as soloist in the Stabat Mater at the Helsinki Opera's Rossini Festival Nicklausse and the Muse in Les Contes d'Hoffmann in Tokyo Guest appearance for Deutsche Grammophon when she joins Anna Netrebko in a scene and cavatina from Lucia di Lammermoor on Netrebko's debut album Opera Arias 2004 Dorabella, Meg and Rosina at the Vienna State Opera Dorabella at the Salzburg Festival Bellini's Adalgisa (with Edita Gruberova as Norma) at Baden-Baden Rossini's Ceneren¬tola in Paris at the Théâtre des Champs-Élysées Performs Alban Berg's Seven Early Songs under Philippe Jordan at the Vienna Konzerthaus 2005 At the Vienna State Opera: debut as Charlotte in Werther, Rosina and Meg Page Dora¬bella at Aix-en-Provence and for her debut at the Paris Opéra-Palais Garnier Concerts in Lucerne and Graz 2006 Triumphs as Octavian at the Vienna State Opera and as Sesto in La clemenza di Tito at Vienna's Theater an der Wien Further performances as Octavian, Rosina, Cherubino, Dorabella, Sesto and Charlotte in Vienna; Sesto in Paris Two concerts of Mozart arias with Sir Roger Norrington and one of Mozart's sacred music with Riccardo Muti at the Salzburg Festival; Beethoven's Missa solemnis with the Orchestre national de France under Kurt Masur Recitals at the Schubertiade in Schwarzenberg Appears on The Mozart Album in all-new recordings of Mozart arias sung by Deutsche Grammophon's star singers including Anna Netrebko, Thomas Quasthoff, René Pape and Bryn Terfel, and released to tie in with the opening of the Salzburg Festival 2007 Elīna Garanča's opera appearances include Rosina, Cherubino, Dorabella, Octavian, Char¬lotte and Adalgisa at the Vienna State Opera; debut performance at the Berlin State Opera as Sesto; debut performance at London's Royal Opera House, Covent Garden in the role of Dorabella; role debut as Carmen at the Latvian National Opera in her native Riga Elīna Garanča goes on tour with the Concertgebouw Orchestra under Mariss Jansons singing Berio's Folk Songs in Amsterdam, London, Paris and Vienna Elīna Garanča appears in three gala concerts with Anna Netrebko, Ramón Vargas, Ludovic Tézier, and the SWR Symphony Orchestra under Marco Armiliato, the third of which is broadcast on German television to an audience of over two million and recorded live for audio and video release (The Opera Gala - Live from Baden-Baden) Her first solo recording for Deutsche Grammophon, Aria cantilena, with highlights from some of her celebrated operatic roles accompanied by the Dresden Staatskapelle under Fabio Luisi, is released to great critical acclaim (Echo Award 2007); the release is supported by a German tour with this repertoire together with the Munich Symphony Orchestra under Heiko Mathias Förster Elīna Garanča is awarded the Three-Star Order by the Latvian State 2008 The year begins with Garanča's sensational Met debut as Rosina in Il barbiere di Siviglia She gives her role debut as Romeo in concert performances of Bellini's I Capuleti e i Montecchi in Riga, Latvia and repeats the role in Vienna alongside Anna Netrebko, with the Vienna Symphony Orchestra under Fabio Luisi (recorded by Deutsche Grammophon for release in 2009) She sings Octavian at the Deutsche Oper in Berlin, Adalgisa at her debut in Munich's Bavarian State Opera where she also appears as Charlotte, and makes her role and house debuts as Marguerite in Berlioz's La Damnation de Faust in Geneva's Grand Théâtre Concerts include Mahler's Third Symphony at the Vienna Musikverein, Berio's Folk Songs with the Berliner Philharmoniker under Mariss Jansons at the Philhar¬monie, Ravel's Shéhérazade with the Lucerne Festival Orchestra and Claudio Abbado, and Berlioz's Les Nuits d'été with the Wiener Philharmoniker led by Mariss Jansons at the Salzburg Festival She also gives a solo concert at the Opera Festival in St Margarethen, Austria, and participates in the "Weltstars der Oper" (Opera Stars of the World) concert in the Austrian stadium Hohe Warte, in a gala concert at the Instanbul International Festival, and gives several performances at the Festival del Sole in Napa, USA 2009 Garanča follows up her first successful solo recording with Bel Canto, a collection of arias and ensembles In the new album of Bellini's I Capuleti e i Montecchi she sings the role of Romeo (with Anna Netrebko as Juliet) - both are released early in the year Engagements include Octavian in Der Rosenkavalier at the Vienna State Opera, Romeo in Bellini's I Capuleti e i Montecchi with Anna Netrebko and Carmen at Covent Garden, Romeo in Berlin, Angelina in Rossini's La Cenerentola at the Met, and Charlotte in Massenet's Werther in Vienna and Baden-Baden with Rolando Villazón She tours Europe with the Basle Chamber Orchestra, and Germany with the Neue Philharmonie Westfalen
Product Description
I Capuleti e i Montecchi is one of the loveliest and most moving of bel canto operas, though not among the more frequently performed When Anna Netrebko and El na Garan a sang Giulietta and Romeo in Vienna last year at the performances documented in this recording, critics were enthusiastic They found that Giulietta suited Anna Netrebko especially well, and she could show to full advantage her rounded tone and creamy timbre in every register The German opera magazine Das Opernglas wrote: She concentrates on shaping individual phrases seemingly without effort and with unerring security, never sacrificing tonal beauty and flexibility Anna clearly loves singing the role as much as Bellini did composing it: There s a lot of piangere cantando [weeping while singing] in Giulietta s beautiful melodies , she says Her music is so sad in this opera, even tragic, not at all like Gounod s Je veux vivre Juliette.
El na Garan a s velvety timbre with its hint of noble metal made the character of the young Romeo Montecchi come vividly to life The Opernglas reviewer wrote: Her interpretation of the role is exemplary and has such elegance And, indeed, the Latvian mezzo has a particular affinity with this trouser role: At the moment that I go into the theatre and put the costume on, I become Romeo Every woman has a masculine side and every man a feminine side, and it s fun to test that part of myself onstage, to try to imagine how a young man might react in this situation He s a young guy, so there are the hormones and the pride There are basically two different aspects to the character: his love of Giulietta is very naïve, very enthusiastic, bright and sunny, but when he and Tebaldo are suddenly going against each other, there s also great courage and energy It s a fantastic role.
Verdi praised the broad curves of Bellini s unprecedented long melodies , and so does Fabio Luisi, who conducts Deutsche Grammophon s star-studded new recording of I Capuleti e i Montecchi Luisi singles out Bellini as the composer who did most for the development of the voice and of melody Nobody before him and probably nobody after him has equalled this achievement.
Vincenzo Bellini was the supreme melodist of the great bel canto triumvirate that also included Gioacchino Rossini and Gaetano Donizetti: the three outstanding representatives of the early 19th-century Italian style whose name literally means beautiful singing Singers have always loved Bellini s long-breathed vocal writing, and I Capuleti is the first example of that style we know so well from his later, more famous masterpieces La sonnambula, Norma and I Puritani.
Shakespeare s star-crossed lovers would seem ideal for a composer with Bellini s unique gift for tender, elegiac melody, but, in fact, the subject wasn t the composer s choice: Venice s Teatro la Fenice commission in January 1830 required him to set a libretto called Giulietta Capellio Nor is Bellini s opera based on Shakespeare s tragedy, then still unknown in Italy, but rather on an 1818 Italian play that shared its 16th-century source That explains divergences from Shakespeare in the opera s title, plot and characters He was given only a few weeks to produce I Capuleti, which premiered on 11 March, so it isn t surprising that the habitually slow-working composer borrowed heavily from his unsuccessful opera of the previous year, Zaira In recycling that opera s finest music, Bellini was also hoping to give it a longer shelf-life: Zaira, hissed at Parma , he quipped, got its revenge in I Capuleti.
Throughout the rest of the century, Bellini could still be heard regularly at all the great opera houses Then his music fell out of favour In 1935, a few works were brought out of mothballs in Italy to mark them.
发行日期：2009年5月5日基本信息外文名:Bellini: I Capuleti e i Montecchi表演者:Tiziano Bracci,Joseph Calleja,Robert Gleadow乐团:Wiener Symphoniker指挥:Fabio Luisi作曲:Vincenzo BelliniCD碟数:2格式:套装版权提供:DGIMPORTSISBN:0028947780311条形码:0028947780311ASIN:B008LSF8F0
