Fire Retardancy of Polymers: New Applications of Mineral Fillers聚合物的阻燃性：矿物填料的新应用

作者： M Le Bras等著

出 版 社：

出版时间： 2005-4-1字数：版次： 1页数： 416印刷时间： 2005/04/01开本： 16开印次： 1纸张： 胶版纸I S B N ： 9780854045822包装： 精装内容简介

The use of polymers is restricted by their flammability- they may indeed initiate or propagate fire。Fire Retardancy of Polymers focuses on mineral additives from either micro- or nano-composites for application in fire retardants。With the use of fire retardant additives containing halogen or phosphorus compounds in decline，the need for other systems is evident。

The major materials that are used as fire retardant fillers for polymers are alumina trihydrate or magnesium hydroxide，which account for more than 50％ by weight of the world-wide sales of fire retardants。Recent works have shown that such halogen-free compounds may give enhanced fire retardancy to polymeric materials when used in low levels，alone，or in synergistic mixtures，and that the corresponding fire performances depend on the dispersion of the mineral filler，micrometer-scale dispersion leading to the best performances。

Specialists discuss these new applications of mineral fillers with particular emphasis on action mechanisms，new materials including textiles，toxicology，and hazards。With extensive references，this book provides a comprehensive and up-to-date view of these applications and will appeal to professionals，materials scientists，and engineers looking for novel ways to eliminate fire hazards and improve flame retardancy of materials，with a special interest in sustainable development。

目录

Preface

1Styles and ideas

1.1 Aims and context

1.2 A musicological context

1.3 Elgar the progressive

2A Heideggerian refinement of Schenker’s theory

2.1 Analytical preliminaries

2.2 Temporality and the Augenblick

2.3 Mimesis and disclosure

2.4 Heideggerian intentionality and musical phenomenology

2.5 The musical Augenblick

3Immuring and immured tonalities：tonal malaise in theFirst Symphony，Op.55

3.1 Hepokoski’s analysis and a Hepokoskian analysis

3.2 A Heideggerian-Schenkerian analysis

4’Fracted and corroborate’：narrative implications of form andtonality in Falstaff，Op. 68

4.1 The nature，subject，and intent of a symphonic study

4.2 Preliminary analytical questions

4.3 An overview of the form： deformation and rotation

4.4 Associative tonality and the unpicking of identity

5Hermeneutics and mimesis

5.1 Heidegger，Schenker，music，and modern musicology

5.2 The mimetic function of sonata form： fairy-stories，the questnarrative，and humankind’s historical and temporal existence

6The annihilation of hope and the unpicking of identity：Elgarian hermeneutics

6.1 ’A nice sub-acid feeling’： the First Symphony

6.2 Elgar’s invention of the human：’Falstaff（ [ micro-] tragedy）’

7Modern music,modern man

Golssary

Bibliography

Index