点此进入淘宝搜索页搜索　　參考價格: 点此进入淘宝搜索页搜索
　　分類: 图书,进口原版书,文学 Literature,

作者： W. B. Worthen 著

出 版 社：

出版时间： 2006-2-1字数：版次： 1页数： 209印刷时间： 2006/02/01开本： 16开印次： 1纸张： 胶版纸I S B N ： 9780521841849包装： 精装内容简介

The question of the materiality of the book has surprising consequences when applied to dramatic writing. W.B. Worthen asks how the print form of drama bears on how we understand its dual identity--as play texts and in performance. Beginning with the most salient modern critique of printed drama, arising in the field of Shakespeare editing, Worthen then looks at the ways such playwrights and performance artists as Bernard Shaw, Gertrude Stein, Harold Pinter, Samuel Beckett, Anna Deavere Smith, and Sarah Kane stage the poetics of modern drama in the poetics of the page.

目录

List of illustrations

Acknowledgments

Introduction: booking the play

1 Prefixing the author; or, As it was Plaide: Shakespeare,editing, and the design of modern drama

2Accessory acts

i. Margins: Shaw, print, and play

ii. So much depends: Stein's theatre of the page

iii. (Pause.): Pinter's poetics

iv. What's in a name?: The Laramie Project, the author, and collaboration

3Something like poetry

i. Prizing the play: performance, print, and genre

ii. Theatre of the voice: Anna Deavere Smith's lyric page

iii. Lines of subjection: Language writing, poetry, and performance

iv. Spaces of gesture: the poetics of the page in Smith and Kane

Epilogue: whom the reader will remember

Notes

Works cited

Index

 

 

免责声明：本文为网络用户发布，其观点仅代表作者个人观点，与本站无关，本站仅提供信息存储服务。文中陈述内容未经本站证实，其真实性、完整性、及时性本站不作任何保证或承诺，请读者仅作参考，并请自行核实相关内容。