Shakespeare, Memory And Performance莎士比亚、记忆与表演

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作者： Peter Holland著

出版社：

出版时间： 2006-11-1字数：版次： 1页数： 357印刷时间： 2006/11/01开本： 16开印次： 1纸张：胶版纸I S B N ： 9780521863803包装：精装编辑推荐

作者简介：PETER HOLLAND is McMeel Family Professor in Shkespeare Studies in the Department of Film, Television and Theatre at the University of Notre Dame. He was Director of the Shakespeare Institute, Stratford-upon-Avon and Professor 0fShakespeare Studies at the University of Bimingham (UK) from I997 to zoo2, and prior to that was iudith E, Wilson Reader in Drama and Theatre in the Faculty of English, University of Cambridge. He is Editor of shakespeare Survey (Cambridge) and General Editor of Redenining British Theatre History; Oxford Shakespeare Topics (with Stnley Wells) and Great Shakespeareans (with Adrian Poole). His books include English Shakespeares (Cambridge, i997) and, most recently, with Stephen Orgel, From Performance to Print in Shakespeare's England (2006).

内容简介

"Remember thee? Ay, thou poor ghost, while memory holds a seat." In this distracted globe. Hamlet's lines pun on the globe as both his skull and the Globe Theatre. But what does memory have to do with Shakespeare and performances past and present? This is the first collection of essays to provide a meeting between the flourishing fields of memory studies and Shakespeare performance studies. The chapters explore a wide range of topics, from the means by which editors of Shakespeare plays try to help their readers remember performance to the ways actors sometimes forget Shakespeare?s lines, from the evocative memories instilled in the archives of costumes to the photographing of props that act as memories of performances past. The fifteen contributors are leaders in the field of Shakespeare performance studies and their considerations of the possibilities of the subject open up a rich new vein in Shakespeare studies.

List of illustrations

Notes on contributors

Acknowledgements

Foreword by Stanley Wells

Introduction

Peter Holland

PART Ⅰ SHAKESPEARE'S PERFORMANCES OF MEMORY

1 Speaking what we feel about King Lear

2 Shakespeare's memorial aesthetics

3 Priamus is dead: memorial repetition in Marlowe and Shakespeare

PART Ⅱ EDITING SHAKESPEARE AND THE PERFORMANCE OF MEMORY

4 'Wrought with things forgotten': memory and performance in editing Macbeth

5 Citing Shakespeare

PART Ⅲ PERFORMANCE MEMORY; COSTUMES AND BODIES

6 Shopping in the archives: material memories

7 'Her first remembrance from the Moor': actors and the materials of memory

8 On the gravy train: Shakespeare, memory and forgetting

PART Ⅳ RECONSTRUCTING SHAKESPEAREAN PERFORMANCE

9 Remembering Bergner's Rosalind: As You Like It on film in 1936

10 Shakespeare exposed: outdoor performance and ideology, I88O-194o

PART Ⅴ PERFORMANCE MEMORY: TECHNOLOGIES AND THE MUSEUM

11 Fond records: remembering theatre in the digital age

12 The Shakespeare revolution will not be televised: staging the media apparatus

13 Memory, performance and the idea of the museum

Afierword by Stephen Orgel

Index