文学中的语言:文体学导论(英文版)(当代国外语言学与应用语言学文库)(Language in Literature:An Introduction to Stylistics)

基本信息·出版社：外语教学与研究出版社

·页码：250 页

·出版日期：2008年

·ISBN：9787560077451

·条形码：9787560077451

·包装版本：1版

·装帧：平装

·开本：16

·正文语种：英语

·丛书名：当代国外语言学与应用语言学文库

·外文书名：Language in Literature:An Introduction to Stylistics

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内容简介《文学中的语言:文体学导论》作为一本面向文学学学习者的入门书籍，《文学中的语言:文体学导论》以深入浅出的语言解释文学语言学中的核心概念及主题，在细致观察作品的写作技巧的同时，探究语言产生文学效果与意味的种种途径与方式。作者选取诗歌、短篇小说、长篇摘录、广告以及儿童作品实践活动素材，引导读者使用语言学术语进行文本分析，不但适合读者自学，对从事文学文体学教学及研究的教师也具有重要的参考价值。

目录

Acknowledgements

Preliminaries

1.Getting started

2.Cohesion: making text

3.Modality and attitude

4.Processes and participants

5.Recording speech and thought

6.Narrative structure

7.A few well-chosen words

8.Talking: acts of give and take

9.Presupposition

References and recommended further reading

Index

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文摘A cut-price crowd, urban yet simple, dwelling

Where only salesmen and relations come

Within a terminate and fishy-smelling

Pastoral of ships up streets, the slave museum,

Tattoo-shops, consulates, grim head-scarfed wives;

And out beyond its mortgaged half-built edges

Fast-shadowed wheat fields, running high as hedges,

Isolate villages, where removed lives

Loneliness clarifies. Here silence stands

Like heat. Here leaves unnoticed thicken,

Hidden weeds flower, neglected waters quicken,

Luminously-peopled air ascends;

And past the poppies bluish neutral distance

Ends the land suddenly beyond a beach

Of shapes and shingle. Here is unfenced existence:

Facing the sun, untalkative, out of reach.

The stylistic mentality is always on the lookout for one or more of the following:

pattern

repetition

recurrent structures

ungrammatical or 'language-stretching' structures

large internal contrasts of content or presentation.

And it is not embarrassed about beginning a discussion with broad orvague first impressions, so-called intuitive or subjective responses,and keeping those in mind as the discussion works its way from thegeneral to the specific. What, then, are your first impressions of thispoem? It would be useful if you read over the poem again, and jotteddown your first impressions and reactions, before reading on.

My own first impressions are that the poem seems to involve ajourney, a movement from one place to a different one; that it is highlydescriptive, indeed quite packed with mentioned things; and that thefinal eight lines contrast, in many respects, with what goes before. Forinstance, they seem both more contemplative and more positive intone than the earlier lines, or more approving of what they report.These immediate reactions do much to shape the closer languageanalysis that follows; they are claims that the more detailed attentionwill now seek to bolster, or adjust. I believe a similar progressi

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