Old Curiosity Shop（老古董商店）
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基本信息·出版社：Wordsworth Editions Ltd; New Ed edition
·页码：608 页
·出版日期：1998年
·ISBN：1853262447/9781853262449
·条形码：9781853262449
·装帧：平装
·开本：0开
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内容简介在线阅读本书
The sensational bestselling story of Little Nell, the beautiful child thrown into a shadowy, terrifying world, seems to belong less to the history of the Victorian novel than to folklore, fairy tale, or myth. The sorrows of Nell and her grandfather are offset by Dickens's creation of a dazzling contemporary world inhabited by some of his most brilliantly drawn characters-the eloquent ne'er-do-well Dick Swiveller; the hungry maid known as the "Marchioness"; the mannish lawyer Sally Brass; Quilp's brow-beaten mother-in-law; and Quilp himself, the lustful, vengeful dwarf, whose demonic energy makes a vivid counterpoint to Nell's purity.--This text refers to thePaperbackedition.
作者简介Charles Dickens (1812-1870) was born in Portsmouth, England, and grew up in poverty, one of eight children. He became the preeminent writer of Victorian England, with most of his novels appearing in serial form before being published as books.Norman Page is emeritus professor at the University of Nottingham and the University of Alberta, Canada. He has published several studies of Dickens as well as other nineteenth-century writers.--This text refers to thePaperbackedition.
媒体推荐书评
Amazon.com Audiobook Review
The sound of Little Nell clattering hurriedly over cobblestones immediately sets the stage by bringing to mind the narrow and dangerous streets of Victorian London. No fewer than 20 performers are called upon to conjure up the Dickensian world of wanderers, ne''er-do-wells, con artists, and kind Samaritans--and each performance is excellent. Tom Courtenay plays the sadistic Quilp, "the ugliest dwarf that could be seen anywhere for a penny" with magnificent sarcastic glee, and Teresa Gallagher''s silvery, childlike voice is ideally suited for the role of the angelic Little Nell.Nell is on her way home to the dusty shop where she and her grandfather live a rather mysterious life. The old man disappears every night--visiting gambling dens with the naive hope of winning a fortune. Instead he sinks deeper and deeper into debt. Enter Daniel Quilp, moneylender, who becomes furious upon learning that the grandfather is a pauper and will never be able to repay his tremendous debt. Quilp seizes the curiosity shop and begins making lecherous overtures to Nell, so she and her grandfather steal away one morning to seek their fortunes elsewhere. But the demonic dwarf is never far behind.Sound effects are employed judiciously and serve mainly as a springboard for the listener''s imagination. The sound of a crying baby is enough to convey the image of crowded lodgings and genteel Victorian poverty, while raucous laughter and high-pitched squawks evoke the barely controlled chaos of an outdoor Punch and Judy show. The dramatization pares Dickens''s weighty novel down to two and one-half hours, but does so skillfully, retaining Dickens''s wit, marvelous dialogue, and delightful characterizations. (Running time: 155 minutes, 2 cassettes)--Elizabeth Laskey--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 7-12-Dickens story of contrasts: youth and old age, beauty and deformity, freedom and restraint.
Copyright 1998 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.
From AudioFile
This 1841 exercise in pathos and villainy defines "Dickensian" in all its fascinatingly repulsive excess, containing as it does one of the most celebrated scenes in all Victorian fiction--the death of Little Nell. The abridgment heard here excises many of the author''s tedious redundancies (he was paid by the word) while retaining most of what makes Dickens Dickens. Scofield, one of the giants of the British stage, turns the redaction into a lesson in actor''s tact. He has decided to meet the melodrama head on but with the utmost control. He gives us the lush narrative intimately, as if reading to us at our elbow, and engraves the characters with all the vividness of an aural Daumier or Hogarth. He pulls out the stops on heaviness and gloom without actually becoming bogged down by them, his warmth and love of the material keeping him buoyant. In addition to his histrionic acumen and artistry, he possesses one of the most distinctive and exciting voices of the English-speaking world. It would be a pleasure to hear him read the London phone book. Warning: Sensitive listeners should purchase a box of Kleenex to keep handy before playing this recording. Y.R. An AUDIOFILE Earphones Award winner (c)AudioFile, Portland, Maine--This text refers to an out of print or unavailable edition of this title.
