Bel Canto(P.S.)(意大利美声唱法)
点此进入淘宝搜索页搜索分類: 图书,进口原版,Literature & Fiction 文学/小说,United States 美国,
品牌: Ann Patchett
基本信息·出版社：Harper Perennial
·页码：352 页
·出版日期：2005年
·ISBN：0060838728
·条形码：9780060838720
·装帧：平装
·正文语种：英语
·丛书名：P.S.
·外文书名：意大利美声唱法
产品信息有问题吗？请帮我们更新产品信息。
内容简介在线阅读本书
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of the powerful businessman Mr. Hosokawa. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening -- until a band of gunwielding terrorists takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, a moment of great beauty, as terrorists and hostages forge unexpected bonds and people from different continents become compatriots, intimate friends, and lovers.
作者简介Ann Patchett is the author of five novels, includingBel Canto(winner of the PEN/Faulkner Award and the Orange Prize), and the bestselling nonfiction book,Truth & Beauty. She has written forThe Atlantic,Harper's, Gourmet, theNew York Times Magazine,Vogue, and theWashington Post. She lives in Nashville, Tennessee.
媒体推荐From Library Journal
Opera and terrorism make strange bedfellows, yet in this novel they complement each other nicely. At a birthday party for Japanese industrialist Mr. Hosokawa somewhere in South America, famous American soprano Roxanne Coss is just finishing her recital in the Vice President's home when armed terrorists appear, intending to take the President hostage. However, he is not there, so instead they hold the international businesspeople and diplomats at the party, releasing all the women except Roxanne. Captors and their prisoners settle into a strange domesticity, with the opera diva captivating them all as she does her daily practicing. Soon romantic liaisons develop with the hopeless intensity found in many opera plots. Patchett (The Patron Saint of Liars) balances terrorism, love, and music nicely here. Anna Fields has a pleasant voice and reads clearly, although she doesn't differentiate among the characters especially well. The tape quality is excellent. Recommended for large public libraries. Nancy R. Ives, SUNY at Geneseo
Copyright 2001 Reed Business Information, Inc.--This text refers to theAudio Cassetteedition.
FromThe New Yorker
An impoverished South American country hosts a birthday extravaganza for a Japanese industrialist in the hope of securing new foreign investment. The lure? An internationally renowned lyric soprano. Indeed, when Roxane Coss sings, even the ragtag terrorists who are about to flood through the air-conditioning vents and take the guests hostage hold their breath, transported by the beauty of her voice. Patchett's tragicomic novel—a fantasia of guns and Puccini and Red Cross negotiations—invokes the glorious, unreliable promises of art, politics, and love. Against this grand backdrop, the smallest gestures bloom with meaning: a pretty governess stitching up the cheek of her employer with her sewing kit; a young terrorist discovering the tyranny of wearing a watch; an exasperated French diplomat risking his life to peel an eggplant with a proper knife.
Copyright © 2005The New Yorker--This text refers to thePaperbackedition.
编辑推荐Amazon.com's Best of 2001
In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. His hosts hope that Mr. Hosokawa can be persuaded to build a factory in their Third World backwater. Alas, in the opening sequence, just as the accompanist kisses the soprano, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry.Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months.With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects:Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world,Bel Cantoremains a gentle reminder of the transcendence of beauty and love.--Victoria Jenkins--This text refers to thePaperbackedition.
专业书评From Library Journal
Opera and terrorism make strange bedfellows, yet in this novel they complement each other nicely. At a birthday party for Japanese industrialist Mr. Hosokawa somewhere in South America, famous American soprano Roxanne Coss is just finishing her recital in the Vice President's home when armed terrorists appear, intending to take the President hostage. However, he is not there, so instead they hold the international businesspeople and diplomats at the party, releasing all the women except Roxanne. Captors and their prisoners settle into a strange domesticity, with the opera diva captivating them all as she does her daily practicing. Soon romantic liaisons develop with the hopeless intensity found in many opera plots. Patchett (The Patron Saint of Liars) balances terrorism, love, and music nicely here. Anna Fields has a pleasant voice and reads clearly, although she doesn't differentiate among the characters especially well. The tape quality is excellent. Recommended for large public libraries. Nancy R. Ives, SUNY at Geneseo
Copyright 2001 Reed Business Information, Inc.--This text refers to theAudio Cassetteedition.
FromThe New Yorker
An impoverished South American country hosts a birthday extravaganza for a Japanese industrialist in the hope of securing new foreign investment. The lure? An internationally renowned lyric soprano. Indeed, when Roxane Coss sings, even the ragtag terrorists who are about to flood through the air-conditioning vents and take the guests hostage hold their breath, transported by the beauty of her voice. Patchett's tragicomic novel—a fantasia of guns and Puccini and Red Cross negotiations—invokes the glorious, unreliable promises of art, politics, and love. Against this grand backdrop, the smallest gestures bloom with meaning: a pretty governess stitching up the cheek of her employer with her sewing kit; a young terrorist discovering the tyranny of wearing a watch; an exasperated French diplomat risking his life to peel an eggplant with a proper knife.
Copyright © 2005The New Yorker--This text refers to thePaperbackedition.
FromAudioFile
Mixing art and politics can have unexpected results, but rarely are they so poignant. A birthday party is held for a Japanese CEO in an anonymous Spanish-speaking country. World-class lyric soprano Roxane Coss is the irresistible bait for the opera-loving Mr. Hosokawa. As she finishes singing, terrorists burst in and take everyone hostage. So begins a four-and-a-half-month siege, during which friendships and love grow between guests and gunmen. Anna Fields offers up each moment, each character slowly and deliberately, taking time to savor every subtlety. Her performance is the essence of bel canto, easy, pure of tone, with an agile, precise vocal technique. S.J.H. © AudioFile 2001, Portland, Maine--Copyright © AudioFile, Portland, Maine--This text refers to theAudio Cassetteedition.
FromBooklist
Readers curious about the emotional flow between hostages and their takers should cotton to this novel based on the 1996 Tupac Amaru takeover of the Japanese ambassadorial residence in Lima, Peru. It traces the hostages' adjusting attitudes during the torpor of a months-long siege. Relief from their tedium takes the form of luscious world-class soprano Roxane Coss, who had been entertaining an international assortment of diplomats and businesspersons when the terrorists took the Peruvian vice president's house. Everybody loves her, eventually--a Russian diplomat, the Japanese tycoon who paid for her performance, one of the teenage hostage-takers, and so on. The medium for all professions of admiration and love is polylingual Gen Watanabe. As Watanabe flits from conversation to conversation, Patchett develops the characters' thoughts. Watanabe, for example, takes a shine to a child-soldier terrorist, Carmen, who comes to share the fate of an operatic earlier bearer of her name. Unhurriedly, even languorously, Patchett brings readers into the minds of the characters.Gilbert Taylor
Copyright © American Library Association. All rights reserved--This text refers to thePaperbackedition.
