动画片作为一种影视艺术在中国已经发展了70多年的时间了，期间出现了许多脍炙人口、蜚声海内外的优秀作品。无论是50年代末60年代初的《大闹天宫》、《小蝌蚪找妈妈》等，还是70年代末80年代中的《哪吒闹海》、《三个和尚》、《曹冲称象》等，都给人留下了深刻的印象。可是到了90年代以后就鲜有这么优秀的作品出现了。中国动画陷到了一个很大的深渊里，中国动画已不在像以前那么辉煌了。中国的动画者们已经认识到了这一现状。在美、日动画充斥的今天，中国的动画工作者们仍然在不断的探询着属于我们自己的动画发展道路。本文将从国产动画的新生代《宝莲灯》开始，结合动画的创作和市场，以及与其他国家相比较，探询中国动画的发展。中国动画都有哪些弊端，在保持民族特色的同时，如何在艺术性与商业性上找到完美的结合点，这些都是本文所关注的。
进入到二十一世纪的中国动画必然有更大的发展前景，让我们一起来展望中国动画的灿烂未来。
參考答案:As a television cartoon art in China has developed over 70 years of time, During the many popular, famous at home and abroad of good works. Both the late 1950s and early 1960s, the "big trouble" and the "small tadpole to see my mother," and so on. The 1980s or the 1970s "Neizhanaohai", "shocking", "Cao Chong as saying," and so on. All this left a deep impression. But during the 1990s, after a few such outstanding works. Chinese Cartoon fall into the abyss of a great, the Chinese animation has not become less as a brilliant. China's animation who have come to understand that the status quo. In the United States, the Japanese animation flooded today, China's animation workers still in the continuing probe belonging to the animation of our own development path. This paper will be made by the new generation of animation, "Troupe", the combination of creativity and animation markets In comparison with other countries, explore the development of Chinese animation. What are China's animation shortcomings in the same time maintain national character. How to find the perfect artistic and commercial point of integration, which are of concern to the paper. Entered the 21st century, China will have greater prospects for the development of animation. Let us work together to the brilliant future prospects of China's animation.
大概是对的！