专辑中文名: 街头霸王：春丽传
专辑英文名: Street Fighter:The Legend Of Chun-Li
艺术家: 原声大碟
资源格式: MP3
发行时间: 2009年03月03日
地区: 美国
语言: 英语
简介:
压缩码率：mp3cbr，256kbps
专辑介绍：
春丽是让人无法忘怀的《街头霸王》角色之一，就像没有人能忘记《街头霸王》一样。作为该系列最初的惟一女主角，作为早年格斗游戏中屈指可数的女角色，春丽可算是元老级的动作美眉了。关于她的大事儿小事儿，想来已不必废话；至于她的功夫，那也是有目共睹。而游戏历经数代变迁，春丽仍然宝刀，实力绝对毋庸置疑。
因此对于这样一样在玩家心中几乎可以奉为经典的形象，《街头霸王：春丽传》的改编难度可想而知。如何才能做到让大部分人都满意呢？在原作的设定中，春丽是一位中国美女，但是到了好莱坞，这个设定理所当然的起了变化──春丽成了如假包换的美国少女，不过她倒是有一半的中国血统。而春丽的发型也被遭到了改造──游戏中那个繁复的包子头发型不但难以创造，而且放在这样一部真人动作片里也会显得有些突兀，因此化繁为简的春丽得到了一个简单而舒畅的马尾。而在经典春丽形象中惟一没有大变的恐怕就是她的服装了──还是以蓝色为主体，立体剪裁的服装简洁而精炼，让人看一眼就能感受到她凌厉的气质。是的，春丽的外形变化不小──但是几乎原样保留的，是她的那颗赤诚之心。电影里的春丽和游戏里一样，也是痛失父亲，意欲打入犯罪集团消灭邪恶，同时为父报仇。而电影中春丽与父亲的亲情不但是重点表现的对象，而且也是整部影片的基础之一──准备好了，嘉富康的官方发言人可是说过：“这部电影比你想象的要严肃得多。”
引用
英文简介：
Fifteen years after Jean-Claude Van Damme effectively killed off a potential franchise of films in the original Street Fighter movie, the classic video game returns to the big screen in Street Fighter: The Legend of Chun-Li, a rebooting of the story which now focuses on the mysterious female character of Chun-Li rather than the muscle bound General Guile. Directed by Polish action director Andrzej Bartkowiak, it stars Smallville star Kristin Kreuk as Chun-Li, a concert pianist and martial arts expert searching for her father, who has been captured by the evil underworld figure, Bison. The film, which also stars Chris Klein, Neal McDonough and Michael Clarke Duncan, has a score from a most unlikely source: New York-based composer Stephen Endelman, whose film work to date has included such classy projects as The Englishman Who Went Up A Hill But Came Down A Mountain, Bride of the Wind and Evelyn.
This is his first foray into the action genre, and if this score is anything to go by, he clearly has the chops to succeed across multiple genres. Endelman’s action writing just oozes cool; from the growling brass lines, the piano scales bubbling underneath the orchestra, the rambunctious string runs, the rattling Oriental percussion, and the understated, yet appropriate electronic enhancements, Endelman’s score has a life and energy and vitality which is really excellent. The action and suspense cues – like the opening “Chun-Li vs. Bison”, “Bison Takes Over”, “The Montage”, “The Break In”, “Running to Vega”, “Gen Attacked”, “Following Balrog”, and several others – are genuinely exciting and musically interesting, often making use of unusual and unexpected instrumental performances, highlighting Endelman’s engaging mastery of his orchestra and his hitherto undiscovered talent for this kind of musical expression.
The main theme, heard in the “Opening Credits” (which is not the first cue on the album) begins heroically, before segueing into a gorgeous, expressive erhu piece. The erhu theme is recapitulated later in cues such as the lovely “Gen is Reborn” the bittersweet “Leaving Home” and the conclusive “Going Home” to excellent effect. The quieter moments of the score are often highlighted by breathy bamboo flutes, soft string lines, or solo piano melodies (clearly alluding to the main character’s history as a concert pianist); “Mom Dies” is a gorgeous example of this. Other moments occasionally recall John Barry’s writing on the Bruce Lee Game of Death movie, especially in his use of wooden percussion under the orchestra in cues such as “Impress Me” and “Chun-Li Training”.
