重写与颠覆：约翰厄普代克《红字》三部
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作者： 靳涵身著
出 版 社： 四川大学出版社
出版时间： 2008-4-1字数： 201000版次： 1页数： 239印刷时间： 2008/04/01开本： 大32开印次： 1纸张： 胶版纸I S B N ： 9787561440056包装： 平装内容简介
厄普代克在“《红字》三部曲”中的互文艺术体现了他对原型作品既忠诚又反叛的双重态度。其忠诚体现于对《红字》文人物、主题、象征等学要素的仿拟；其反叛体现于在婚外情、宗教信仰、物质与精神、妇女解放等问题上对霍桑理念的颠覆。
这体现他基本的世界观。这包括他对人性和人的欲念所持的宽容态度，包括他对“基督教正在衰败、性正式成为新宗教”的观点，包括他所一贯奉行的“中庸之道”。
厄普代克互文艺术的独特之处，体现于互文层面的多样性、叙事形式的实验性和主要话题的现实性，似“披后现代主义外衣，读现实主义话题”。
目录
Introduction
Chapter 1 Intertextuality and Its Critical Approaches
1.1 The Theory of Intertextuality
1.2 Critical Approaches for Intertextual Investigation
Chapter 2 Imitative Intertextuality: The Prototypal Elements
2.1 Archetypal Projections in the Myth of Eden: The Shared Prototypes
2.1.1 Archetypal Projections in the Myth of Eden
2.1.2 Prototypes from the Myth of Eden for The Scarlet Letter
2.1.3 Direct Connections of Updike's Trilogy with the Myth of Eden
2.2 Prototypes for Updike's Trilogy Deriving from The Scarlet Letter
2.2.1 The Prototypal Characters
2.2.2 The Thematic Prototypes
2.2.3 The Symbolic Prototypes
Chapter 3 Derivative Intertextuality: The Extended Elements
3.1 Revelation of Unpublicized Details
3.2 Exposure of Characters behind the Scenes
3.3 Segmentation of Characters
3.4 Prequel/Sequel Scenarios
3.5 Paratextual Intertextuality
Chapter 4 Subversive Intertextuality: The Aggressive Elements
4.1 The Common Topics
4.2 Hawthorne's Attitudes and Opinions
4.3 Updike's Attitudes: Agreements and Subversions
4.3.1 The Agreed Elements
4.3.2 The Subverted Elements
Chapter 5 The Updikian Intertextual Narration: An Assessment
5.1 Rewriting Classics: A Specialty of Updike
5.2 The Updikian Intertextual Narration: Aesthetic Concerns
5.3 Updike's Voice: Thematic Concerns
5.3.1 Sex and Adultery
5.3.2 Religious Matters
5.3.3 Women's Liberation
Conclusion
Notes
Works Cited
