求电影春风化雨的经典台词
就是peter weir导的96年的片子
谢
參考答案:应该是《死亡诗社》 Dead Poets Society (1989)
精彩对白：
1. Dalton:I'm exercising the right not to walk.
2. Neil:I was good. I was really good.
3. [the students are climbing onto Keating's desk to see a new perspective]
John Keating:Don't just jump off like lemmings! Take a look around!
4. Student in class:[reading his poem] "A cat sat on a mat"
John Keating:Congratulations. You may have just written the first poem to get a negative score on the Pritchard scale.
5. John Keating:Gentlemen, open your texts to page 21 of this introduction. Mr. Perry, will you read the opening paragraph of the preface entitled "Understanding Poetry"?
Neil:[reading] "Understanding Poetry," by Dr. J. Evans Pritchard, Ph.D. "To fully understand poetry, we must first be fluent with its meter, rhyme and figures of speech, then ask two questions: One, how artfully has the objective of the poem been rendered and two, How important is that objective? Question 1 rates the poem's perfection; question 2 rates its importance. And once these questions have been answered, determining the poem's greatness becomes a relatively simple matter. If the poem's score for perfection is plotted on the horizontal of a graph and its importance is plotted on the vertical, then calculating the total area of the poem yields the measure of its greatness. A sonnet by Byron might score high on the vertical but only average on the horizontal. A Shakespearean sonnet, on the other hand, would score high both horizontally and vertically, yielding a massive total area, thereby revealing the poem to be truly great. As you proceed through the poetry in this book, practice this rating method. As your ability to evaluate poems in this matter grows, so will, so will your enjoyment and understanding of poetry."
John Keating:Excrement. That's what I think of Mr. J. Evans Pritchard.
6. John Keating:Mr. Pitts, please turn to page 542 and read the first stanza.
Pitts:[reading the poem title] "To the Virgins To Make Much of Time"?
John Keating:Not very appropriate, is it?
7. Nolan:Free thinkers at 17?
8. Gloria:Don't you guys miss having girls around here?
Meeks and Pitts:Yeah.
9. Meeks:Me and Pitts are working on a hi-fi system. It shouldn't be that hard to, uh, to put together.
Pitts:Yeah... Uh, I might be going to Yale... Uh, but I might not.
10. [Neil's father has just driven him home from his performance in "A Midsummer Night's Dream."]
Mr. Perry:We're trying very hard to understand why it is that you insist on defying us. Whatever the reason, we're not going to let you ruin your life. Tomorrow I'm withrawing you from Welton and enrolling you in Braighton Military School. You're going to Harvard, and you're going to be a doctor.
Neil Perry:That's ten more years! Father, that's a LIFETIME!
Mr. Perry:Oh, stop it! Don't be so dramatic! You make it sound like a prison term! You don't understand, Neil! You have opportunities that I never even dreamt of, and I am not going to let you waste them!
Neil Perry:I've got to tell you what I feel!
Mrs. Perry:We've been so worried about you!
Mr. Perry:WHAT? What? Tell me what you feel! What is it? Is it more of this, this ACTING business? Because you can forget that! What?
Neil Perry (pauses):Nothing.
Mr. Perry (pauses):Nothing? Well, then, let's go to bed.
11. Neil Perry:I just talked to my father. He's making me quit the play at Henley Hall. Acting's everything to me. But he doesn't know! I can see his point; we're not a rich family, like Charlie's. But he's planning the rest of my life for me, and he's never asked me what I want!
John Keating:Have you ever told your father what you just told me? About your passion for acting? You ever show him that?
Neil Perry:I can't.
John Keating:Why not?
Neil Perry:I can't talk to him this way.
John Keating:Then you're acting for him, too. You're playing the part of the dutiful son. I know this sounds impossible, but you have to talk to him. You have to show him who you are, where your heart is!
Neil Perry:I know what he'll say! He'll tell me that acting is a whim and I should forget it. They're counting on me; he'll just tell me to put it out of my mind for my own good.
John Keating:You are NOT an indentured servant! It's not a whim for you, and you prove it to him by your conviction and your passion! You show that to him, and if he still doesn't believe you - well, by then, you'll be out of school and can do anything you want.
Neil Perry:I don't know - what about the play? The show's tomorrow night!
John Keating:Then you have to talk to him before tomorrow night.
Neil Perry:Is there an easier way?
John Keating:No.
Neil Perry (laughs):I'm trapped!
John Keating:No you're not.
12. Knox:C'mon, Chris, just give me one chance. If you don't like me after tonight I'll stay away forever.
Chris Noel:Uh-huh.
Knox:I promise. Dead Poets Honor. You come with me tonight and then if you don't want to see me again I swear I'll bow out.
Chris Noel:You know what would happen if Chet found out?
Knox:He won't know anything. We'll sit in the back and sneak away as soon as it's over.
Chris Noel:And I suppose that you would promise that this would be the end of it.
Knox:Dead Poets Honor.
Chris Noel:What is that?
Knox:My word.
13. John Keating:This is a battle, a war, and the casualties could be your hearts and souls.
14. John Keating:Mr. Meeks, learn to inherit the earth.
15. [last lines]
John Keating:Thank you, boys. Thank you.
16. Neil:So what are you going to do? Charlie?
Dalton:Damn it Neil, the name is Nuwanda.
17. Todd Anderson:[standing on his desk] Oh captain, my captain.
18. John Keating:I SOUND MY BARBARIC YAWP OVER THE ROOFTOPS OF THE WORLD.
19. John Keating:Now we all have a great need for acceptance, but you must trust that your beliefs are unique, your own, even though others may think them odd or unpopular, even though the herd may go, "that's b - - a - - d." Robert Frost said, "Two roads diverged in the wood and I, I took the one less traveled by, and that has made all the difference."
20. John Keating:Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to find it at all. Thoreau said, "Most men lead lives of quiet desperation." Don't be resigned to that. Break out!
21. [joining the DPS]
Dalton:It'll help you get Chris!
Knox:Yeah? How?
Dalton:Women swoon!
[Dalton rushes off to class]
Knox:Why do they swoon?
[Runs after Dalton]
Knox:Tell me why they swoon!
22. [after hearing "The Introduction to Poetry"]
John Keating:Excrement! That's what I think of Mr. J. Evans Pritchard! We're not lighting a pipe! We're talking about poetry. How can you describe poetry like American Bandstand? "I like Byron, I give him a 42 but I can't dance to it!"
23. Dr. Hagar:That wouldn't be a radio in your lap would it Mr. Pitts?
Pitts:No sir, science experiment... radar!
24. John Keating:I was the equivalent of a 98lb weakling! I would go to the beach and people would kick copies of Byron in my face!
25. [Keating is standing on his desk]
John Keating:Why do I stand up here?
Dalton:To feel taller!
John Keating:No!
[Dings a bell with his foot]
John Keating:Thank you for playing Mr. Dalton. I stand upon my desk to remind myself that we must constantly look at things in a different way.
26. Todd Anderson:Keating said everyone took turns reading and I don't want to do that.
Neil:Gosh, you really have a problem with that don't you?
Todd Anderson:No, I don't have a problem. I just don't want to do it, OK!
27. John Keating:Mr. Anderson! Don't think that I don't know that this assignment scares the hell out of you! You mole!
28. John Keating:Phone call from God... Now if it had been collect, it would have been daring!
29. [Todd's present is the same as last year]
Neil:I mean, if I was ever going to buy a desk set... twice! I would probably buy this one, both times! In fact, its shape is rather aerodynamic isn't it? You can feel it. This desk set wants to fly!
[Neil hands the desk set to Todd]
Neil:Todd? The world's first un-maned flying desk set!
[Todd throws it off the roof]
Neil:Oh my! Well, I wouldn't worry, you'll get another one next year.
30. Todd Anderson:I... I close my eyes. His image floats beside me. A sweaty-toothed madman with a stare that pounds my brain.
John Keating:Excellent! Have him act. Give it rhythm!
Todd Anderson:His hands reach out and choke me
[All the time he mumbles slowly]
Todd Anderson:Truth... Truth is like a blanket that always leaves your feet cold.
John Keating:[some of the class start to laugh] To hell with them, more about the blanket!
Todd Anderson:Stretch it, pull it, it will never cover any of us. Kick at it, beat at it, it will never be enough...
John Keating:Don't stop!
Todd Anderson:From the moment we enter crying to the moment we leave dying, it will cover just your head as you wail and cry and scream!
31. McAllister:Show me the heart unfettered by foolish dreams and I'll show you a happy man.
John Keating:But only in their dreams can men be truly free. 'Twas always thus and always thus will be.
McAllister:Tennyson?
John Keating:No, Keating.
32. [Quoting Henry David Thoreau]
Neil:I went into the woods because I wanted to live deliberately. I wanted to live deep and suck out all the marrow of life... to put to rout all that was not life; and not, when I came to die, discover that I had not lived.
33. John Keating:Why do we need language?
Neil:To communicate...
John Keating:Nooo! To woo women!
34. Dalton:[answering phone] Welton Academy, hello. Yes he is, hold on. Mr. Nolan, it's for you. It's God. He says we should have girls at Welton.
35. John Keating:We're not laughing at you - we're laughing near you.
36. Neil:For the first time in my life, I know what I want to do! And for the first time, I'm going to DO IT! Whether my father wants me to or not! Carpe diem!
37. John Keating:I thought the purpose of education was to learn to think for yourself.
Nolan:At these boys age? Not on your life!
38. John Keating:There is a time for daring and a time for caution, and a wise man knows which is called for.
39. John Keating:Sucking all the marrow out of life doesn't mean choking on the bone.
40. John Keating:We don't read and write poetry because it's cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, "O me! O life!... of the questions of these recurring; of the endless trains of the faithless... of cities filled with the foolish; what good amid these, O me, O life? Answer. That you are here - that life exists, and identity; that the powerful play goes on and you may contribute a verse." That the powerful play goes on and you may contribute a verse. What will your verse be?
41. John Keating:O Captain, my Captain. Who knows where that comes from? Anybody? Not a clue? It's from a poem by Walt Whitman about Mr. Abraham Lincoln. Now in this class you can either call me Mr. Keating, or if you're slightly more daring, O Captain my Captain.
42. John Keating:They're not that different from you, are they? Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they're destined for great things, just like many of you, their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - - Carpe - - hear it? - - Carpe, carpe diem, seize the day boys, make your lives extraordinary.
43. Meeks:I'll try anything once.
Dalton:Yeah, except sex.
44. John Keating:No matter what anybody tells you, words and ideas can change the world.
John Keating: No matter what anybody tells you, words and ideas can change the world.
--------------------------------------------------------------------------------
Meeks: I'll try anything once.
Dalton: Yeah, except sex.
--------------------------------------------------------------------------------
John Keating: They're not that different from you, are they? Same haircuts. Full of hormones, just like you. Invincible, just like you feel. The world is their oyster. They believe they're destined for great things, just like many of you, their eyes are full of hope, just like you. Did they wait until it was too late to make from their lives even one iota of what they were capable? Because, you see gentlemen, these boys are now fertilizing daffodils. But if you listen real close, you can hear them whisper their legacy to you. Go on, lean in. Listen, you hear it? - - Carpe - - hear it? - - Carpe, carpe diem, seize the day boys, make your lives extraordinary.
--------------------------------------------------------------------------------
John Keating: O Captain, my Captain. Who knows where that comes from? Anybody? Not a clue? It's from a poem by Walt Whitman about Mr. Abraham Lincoln. Now in this class you can either call me Mr. Keating, or if you're slightly more daring, O Captain my Captain.
（开学典礼上）同学们，我们的四大支柱是什么？
传统、荣誉、纪律，优秀。
（宿舍里）各位，我们的四大支柱是什么？
嘲弄、恐怖、颓废、排泄。
一旦你觉得自己懂得了什么，就必须换一种角度来看。
你们必须寻找你们自己的声音，越晚寻找，找到的可能性就越小。梭罗说：大多数人都生活的平静的绝望中。别陷入那种境地，冲出来。
（星期一的课上，学生一一读自己的诗）
学生一：
致克里斯
我在她微笑中看到甜蜜/她的眼睛闪烁着光芒/但生活是如此复杂//我已满意，只要知道/只要知道，她还活着。
对不起，我的船长，这太傻了。
老师：不，这不傻。写得很好，它触及了一个重大的主题；爱。不仅是诗歌的重大主题，也是生活的。霍普金斯，你在笑，你来吧。
霍普金斯：一只猫坐在垫子上。（结束，学生大笑）
老师：一只猫坐在垫子上。祝贺你，霍普金斯，按照学院派的分析方法，你的诗是第一首得负分的。我们不是在笑你，是在恭喜你，我不在乎你的诗主题简单，有时候最漂亮的诗主题也很简单，像一只猫，一朵花，一场雨，知道吗，只要有新意，什么东西都可以写出诗来。只是不要让你的诗太俗套。
老师：好了，谁下一位？安德森先生，你在那儿坐立不安，来吧，站起来，让我们结束你的痛苦吧。
安德森：我，我没做，我没写诗。
老师：安德森认为自己内心的想法全部没有价值，都让人笑话。是这样吗？这是你最担心的。那么你错了，我觉得你内心有些东西是很有价值的。站在世界的屋脊上，我喊出我野性的狂叫。又是惠特曼的诗，好了，可能你们有些不知道，咆哮是一种大声的叫喊，好了安德森，给我们演示一下什么叫野性的咆哮。行了，你不会坐着咆哮，快点上去吧。好了，做好咆哮的姿势。
安德森：呃，咆哮。
老师：野性的咆哮！
安德森：好吧，咆哮。
老师：哦，不行，大声点。
安德森：咆哮。
老师：那是老鼠的声音，来吧，大声点。
安德森：咆哮。
老师：哦，天哪，叫得像个男人。
安德森：咆哮。
老师：这就对了，你瞧，你身上到底也有野性。不，还不能这么就走，那是张惠特曼的早照片，他让你想起谁？别想，回答，快点。
安德森：一个，一个疯子。
老师：一个什么样的疯子，不用想，只管回答。
安德森：一个疯狂的疯子。
老师：你可以回答得更好。解放你的思想，发挥你的想象力。说出第一个跳进你脑子里的东西。哪怕荒唐透顶，来吧。
安德森：一个，一个牙齿流汗的疯子。
老师：操，你还是很有诗人气质的嘛。好了，闭上眼睛，闭上，说你看到了什么？
安德森：呃，呃，我闭上了眼睛。
老师：还有呢？
安德森：他的形象在我眼前晃。
老师：一个牙齿流汗的疯子？
安德森：一个牙齿流汗的疯子，瞪得我的心嘭嘭直跳。
老师：操，好极了，让他动起来，让他做点什么。
安德森：他，他伸手掐我脖子……他一直在念叨……念叨真理……真理就像一床总让你双脚冰凉的毯子，它……我怎么扯，怎么拽，总也不够，踢也好，打也好，它总盖不住我们，从我们哭着降生到我们奄奄一息，它只会盖住你的脸，不管你怎么哭，怎么喊叫……
